This original analysis of contemporary British pantomime addresses the question of how pantomime creates a unique interactive relationship with, and potentially transformative experience for, its audiences. This is an accessible and valuable text that encourages readers to review their assumptions about pantomime and reconsider its importance as a popular theatre form.
British pantomime draws audiences into the story, an engagement with the hero, and an empathetic attachment to the success of the quest. Attention is held by the familiarity of the event, and the comedians draw the audience into a relationship of complicity as they unite to create the unique experience of the live interactive performance. At other times the audience is diverted by the artifice of dance, the illusion of transformation and the surreal playfulness of physical and verbal comedy. The trick of pantomime is to maintain an effective balance between the intellectual appreciation of artifice, the chaotic complicity of interactivity, and the emotional engagement of story-telling.
Chapter titles
The Prologue: 'What’s Behind Them?' - Page 11
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1. 'Money Matters' - Page 21
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2. 'Chaos and Disruption in Slapstick and Slosh Scenes' - Page 33
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3. 'Fantasy and Illusion in Design' - Page 51
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4. 'Familiarity and Nostalgia in an Oral Tradition' - Page 67
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5. 'Quests and Transformations in Pantomime Stories' - Page 81
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6. 'Playing with Distance in Pantoland' - Page 91
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7. 'Is She or Isn’t He? Gender and Identity' - Page 105
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8.'Audience Participation, Community and Ritual' - Page 123
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9. 'Topical Reference and the Unique Event' - Page 135
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10. 'Artifice and Excess in Pantomime Comedy' - Page 147
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11. 'Mixing Genres in Pantomime Music' - Page 161
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12. 'A Utopian Community of Dancers' - Page 175
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The Epilogue: 'What’s Entertainment?' - Page 191
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Reviews
'An informative, thought-provoking and thoroughly enjoyable read. The clarity of the writing, the breadth of knowledge and the obvious enthusiasm of the author for her subject makes this an excellent resource for students, scholars and practitioners of British musical theatre. Given the relative lack of scholarship in this area, it may also help to stimulate further investigation into this hugely popular but largely under-appreciated art form.' – Miranda Lundskaer-Nielsen, Studies in Musical Theatre
'Their [industry professionals] contributions provide a fascinating insight not only into some of the secrets and tricks that help produce the magic we see on stage, but also help complement and develop the ideas of the author. I would highly recommend it to anyone working in pantomime or teaching it in the post-16 sector. ' – Word Matters, The Journal of the Society of Teachers of Speech and Drama
'It is rare for a scholarly work to be so handy with the nuts and bolts of performance […] there has never been a better guide than this to the true priorities of those who stalwartly produce them.
' – Peter Thompson, Editor of Studies in Theatre & Performance