Journal of Media Practice issue 7.2: On pacing in the short fiction film
Short Film Studies issue 1.1: EDITOR’S INTRODUCTION A shot-by-shot breakdown of The War Is Over A shot-by-shot breakdown of Undressing My Mother An interview with Ken Wardrop on Undressing My Mother A shot-by-shot breakdown of Village An interview with Ghislaine de Germon and Marianne Fonferrier on Village An interview with Miles Goodall on Village
Short Film Studies issue 1.2: An interview with Unni Straume on Derailment An interview with Eduardo Chapero-Jackson on Alumbramiento A shot-by-shot breakdown of Sunday Editor's Introduction Shot-by-shot breakdown of Alumbramiento An interview with John Lawlor on Sunday A shot-by-shot breakdown of Derailment
Short Film Studies issue 2.1: A shot-by-shot breakdown of Kitchen Sink EDITOR’S INTRODUCTION An interview with Mitko Panov on With Raised Hands An interview with Alison Maclean on Kitchen Sink A shot-by-shot breakdown of With Raised Hands An interview with Marianne Olsen Ulrichsen on Come A shot-by-shot breakdown of Come
Richard Raskin is Associate Professor at Aarhus University, where he teaches screenwriting and video production. His books include The Art of the Short Fiction Film: A Shot-by-Shot Study of Nine Modern Classics (McFarland, 2002) and his articles have appeared in such journals as Zeitschrift für Kunstgeschichte, Film History, Folklore, Studies in American Humor, Minerva: An Internet Journal
of Philosophy, Nua: Studies in Contemporary Irish Writing, The Canadian Journal of Film Studies, Asian Cinema, and a journal he founded and edited for many years, P.O.V.– A Danish Journal of Film Studies. A frequent lecturer on the short film at festivals and film schools, he has served as jury president at international festivals in France, Belgium, India, Holland and Denmark, and short films based on his screenplays have been funded by New Danish Screen and
the West Danish Film Fund.
Keywords: short film, storytelling, narrative, editing