Song Hwee Lim
Journal articles
Journal of Chinese Cinemas issue 1.1: Editorial
Journal of Chinese Cinemas issue 1.2: Editorial
Journal of Chinese Cinemas issue 1.3: Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang
Journal of Chinese Cinemas issue 2.3: Editorial
Journal of Chinese Cinemas issue 3.3: Editorial
Journal of Chinese Cinemas issue 4.1: Editorial
Journal of Chinese Cinemas issue 4.2: Editorial
Journal of Chinese Cinemas issue 4.3: Editorial
Journal of Chinese Cinemas issue 5.2: Manufacturing orgasm: Visuality, aurality and female sexual pleasure in Tsai Mingliang’s The Wayward Cloud ‘You must believe there is an author behind every film’: An interview with Tsai Ming-liang
New Cinemas: Journal of Contemporary Film issue 2.1: New World Order
New Cinemas: Journal of Contemporary Film issue 2.2: New cinemas from Asia
New Cinemas: Journal of Contemporary Film issue 5.1: Is the trans- in transnational the transin transgender?
Transnational Cinemas issue 1.1: Concepts of transnational cinema: towards a critical transnationalism in film studies
Journal of Chinese Cinemas issue 1.1: Editorial
Journal of Chinese Cinemas issue 1.2: Editorial
Journal of Chinese Cinemas issue 1.3: Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang
Journal of Chinese Cinemas issue 2.3: Editorial
Journal of Chinese Cinemas issue 3.3: Editorial
Journal of Chinese Cinemas issue 4.1: Editorial
Journal of Chinese Cinemas issue 4.2: Editorial
Journal of Chinese Cinemas issue 4.3: Editorial
Journal of Chinese Cinemas issue 5.2: Manufacturing orgasm: Visuality, aurality and female sexual pleasure in Tsai Mingliang’s The Wayward Cloud ‘You must believe there is an author behind every film’: An interview with Tsai Ming-liang
New Cinemas: Journal of Contemporary Film issue 2.1: New World Order
New Cinemas: Journal of Contemporary Film issue 2.2: New cinemas from Asia
New Cinemas: Journal of Contemporary Film issue 5.1: Is the trans- in transnational the transin transgender?
Transnational Cinemas issue 1.1: Concepts of transnational cinema: towards a critical transnationalism in film studies
Song Hwee Lim is Senior Lecturer in Film Studies at the University of Exeter. He is the author of Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas (University of Hawaii Press, 2006), co-editor of Remapping World Cinema: Identity, Culture and Politics in Film (Wallflower Press, 2006), and founding editor of the Journal of Chinese Cinemas. He recently completed a book manuscript entitled Tsai Ming-liang and a Cinema of Slowness, and a co-edited volume, The Chinese Cinema Book (BFI/Palgrave Macmillan).
Keywords: Chinese cinema, transnational cinemas, Taiwan, Tsai Ming-liang, queer cinema, Singapore and Malaysian cinema