ISSN: 20523998
First published in 2015
3 issues per volume
Volume 2 Issue 3
Cover Date: September 2016
Five djentlemen and a girl walk into a metal bar: Thoughts on a ‘metal after metal’ metal studies
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Authors:  Kevin Fellezs 
DOI: 10.1386/mms.2.3.325_1

Keywords
djent,metal studies,race,gender,pop,virtuosity

Abstract
As a nascent academic field of study, it is an optimal time for metal music scholars to fashion a metal (music) studies focused on (heavy) metal’s status and development as genre, as tradition, as culture – in other words, as subject/object of broad scholarly enquiry – that productively resists orthodoxies not only by maintaining metal scholarship’s current multidisciplinarity, which I applaud, but also by expanding the notion of ‘metal musician’ and ‘metal music culture’. The first idea is a relatively noncontroversial position to assume; however, I want to push on the second idea through a discussion of two performances of the composition, ‘Aviator’, which demonstrate some of the limits within current metal studies. Before turning to ‘Aviator’, however, I will take some time to outline the broader discussion within metal studies around the issue of academic legitimation.
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