Intellect

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Authors:  Isabelle Gourdin-Sangouard 
DOI: 10.1386/josc.1.1.131/1

Keywords
authorship collaboration David Sherwin Lindsay Anderson sequence 5 script to screen transition process of equivalence François Truffaut ‘une certaine tendance du cinéma français’

Abstract
This article draws upon the research currently undertaken for my doctoral thesis and is meant to act as a complementary study of Lindsay Anderson and David Sherwin’s partnership on If…. (1968), following Charles Drazin’s 2008 article for the Journal of British Cinema and Television, ‘If… before If…’. Charles Drazin (2008: 318) highlights the idea of a ‘creative dynamic’ underlying the working partnership between Lindsay Anderson and David Sherwin on If…., as well as in the subsequent projects they developed together. The following article aims to uncover the nature of the creative dynamic suggested by Drazin’s article by looking at both the personal and the artistic dimensions that the working relationship assumed. The aim is to highlight the distinctiveness of their collaboration in the cinema; the article will show that in the course of this collaborative work they realized their artistic potential through an exchange of expertise, and that their collaboration helped to bring about an alternative approach to the conventional opposition between screenwriter and director, especially when it comes to claiming authorship over a film.