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Larrie Dudenhoeffer
Journal articles
Horror Studies issue 1.1: ‘Evil against Evil’: The Parabolic Structure and Thematics of William Friedkin’s The Exorcist
Interactions: Studies in Communication & Culture issue 1.3: The Faustian cyborg: Technology, subjectivity and the spirit of silent comedy in Stanley Kubrick’s The Shining
Horror Studies issue 1.1: ‘Evil against Evil’: The Parabolic Structure and Thematics of William Friedkin’s The Exorcist
Interactions: Studies in Communication & Culture issue 1.3: The Faustian cyborg: Technology, subjectivity and the spirit of silent comedy in Stanley Kubrick’s The Shining
An Assistant Professor of English and Film Studies at Kennesaw State University, Larrie Dudenhoeffer is also the author of 'Monster Mishmash: Iconicity and Intertextuality in Tobe Hooper’s The Texas Chain Saw Massacre' in Volume 19.1 of the Journal of the Fantastic in the Arts, 'Hitch-cockeyed: Ocular Dysfunction Ocular Dys/function in Alfred Hitchcock’s Rear Window' in Volume 5.2 of Cinephile, and 'Masks of Infamy: The About-faces in Christopher Nolan’s The Dark Knight' in Issue 12 of Forum.
Keywords: de-differentiation, recontextualization, narrative space, taut-ontology
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