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Mary Anne Francis
Journal articles
Art, Design & Communication in Higher Education issue 9.2: ‘Widening Participation’ in the Fine Art Ph.D.: Expanding research and practice
Journal of Visual Art Practice issue 6.1: Dirty work: art beyond ‘autonomy’
Journal of Visual Art Practice issue 7.3: Editorial A theory of critique…in practice: practice as critique
Journal of Writing in Creative Practice issue 1.2: In the Café Flaubert
Journal of Writing in Creative Practice issue 2.2: Discussion paper from the Working Group on ‘Situational Fiction’, Chelsea College of Art & Design, University of the Arts London: On the value of ‘Situational Fiction’ for an artist’s writing1
Journal of Writing in Creative Practice issue 3.2: Here and there: An artist's writing as aesthetic form
Art, Design & Communication in Higher Education issue 9.2: ‘Widening Participation’ in the Fine Art Ph.D.: Expanding research and practice
Journal of Visual Art Practice issue 6.1: Dirty work: art beyond ‘autonomy’
Journal of Visual Art Practice issue 7.3: Editorial A theory of critique…in practice: practice as critique
Journal of Writing in Creative Practice issue 1.2: In the Café Flaubert
Journal of Writing in Creative Practice issue 2.2: Discussion paper from the Working Group on ‘Situational Fiction’, Chelsea College of Art & Design, University of the Arts London: On the value of ‘Situational Fiction’ for an artist’s writing1
Journal of Writing in Creative Practice issue 3.2: Here and there: An artist's writing as aesthetic form
Mary Anne Francis attended a non-selective state school, which has informed an ongoing commitment to Widening Participation initiatives. She is currently Senior Lecturer in Fine Art at the University of Brighton, and Research Fellow in Writing and Art, Chelsea-Camberwell-Wimbledon Graduate School, University of the Arts London.
Keywords: art-writing, post-autonomy, critique, art-school critique, fine art

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