Volume 1 Issue 2
Cover Date: May 2010 Price: £18
Contents
Collaboration and control in the development of Janet Green's screenplay Victim
Page Start: 255 View Header/Abstract
The constructive use of film genre for the screenwriter: mental space of film genre – first exploration
Page Start: 273 View Header/Abstract
The physical and emotional threads of the archetypal hero's journey: proposing common terminology and re-examining the narrative model
Page Start: 291 View Header/Abstract
‘First of all, the screenplay problem has to be solved’ – the public debate on screenwriting in 1930s Finland
Page Start: 325 View Header/Abstract
Zen and the art of film narrative: towards a transcendental realism in film
Page Start: 343 View Header/Abstract
From three acts to three screens: the significance of the role of writing in a new media film project
Page Start: 357 View Header/Abstract
Who Writes British Films: A Summary on the UKFC Report and a Call for Further Research
Page Start: 375 View Header/Abstract



.jpg)

