ISSN: 17408296
Online ISSN: 20400918
First published in 2005
3 issues per volume
Current Issue:
Volume 10 / Issue 2 Free Issue
Volume: 6 | Issue: 1
Call for Papers

Special Issue: Indigenous Film and Media

The International Journal of Media and Cultural Politics (MCP) seeks papers for a themed issue on Indigenous Film and Media. Papers should address any aspect of Indigenous, Aboriginal, First Nations, Maori, Sami, etc. film, media, and popular cultures. MCP is committed to analyzing the politics of communication(s) and popular cultural processes. It addresses cultural politics in their local, international and global dimensions, recognizing equally the importance of issues defined by their specific cultural geography and those which run across cultures, nations, and nation-states. Consequently, this themed volume welcomes comparative research across media and/or Indigenous ethnicities and cultures. In particular, the volume highly encourages comparative papers between Indigenous and, say, Asian, Hispanic, Pacific Islander, and African film, media, and popular cultures.


Topics might address, but are not in any way limited to the following:
Film
Television
New Media
Video Games, Blogging, YouTube
Advertising
Fashion
Sports
Popular Literature
Comic books, Graphic novels, and Cartoons
Radio shows
Folklore
Museums
Theater, Festivals, Spectacles, and Ceremonies
Music
Visual art


MCP invites interested contributors to send (4,000-8,000 word) essays, short commentaries (2,500-3,000), and book reviews (1,000-2,500) on Indigenous film, new media, social media, and popular cultural politics to the Guest Editor at the following address: adahan@mnstate.edu on or before May 30th 2014. Contributors should also include brief biographical notes of approximately 200 words.

 

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The International Journal of Media and Cultural Politics (MCP) is committed to analyzing the politics of communication(s) and cultural processes. It addresses cultural politics in their local, international and global dimensions, recognizing equally the importance of issues defined by their specific cultural geography and those which run across cultures and nations. The content focus will be critical, in-depth analysis and engaged research of the intersections of sociology, politics, cultural studies and media studies with the aim of keeping academic analysis in dialogue with the practical world of communications, culture and politics.

MCP invites articles (6,000-8,000 words), short commentaries (2,500-3,000), and short polemics (1,000-2,500) on media and cultural politics topics, and in particular on these five themes:

  • Infantilizing culture: the collapse of media content?
  • The death of the intellectual
  • 'In here and out there' -the media, the centre and the regions
  • Getting past 'post-feminism'
  • The media and the end of history - a view from several continents

MCP also welcomes books for review. The journal invites contributions from a wide and diverse community of researchers. It seeks to generate and promote research from both experienced researchers and to encourage those new to this field. The aim is to provide a forum for debate arising from findings, as well as theory and methodologies. A range of research approaches and methods is encouraged.

Selection of Themes

Infantilizing culture: the collapse of media content?

Could it really be that 'elitist' cultural pessimists of the twentieth century (like Adorno and Eliot) were embarrassingly accurate about the degradation inflicted on culture by media producers? Should we evolve social policies to treat some media output like cigarettes and junk food? Can local media systems resist? What are the implications for future political engagement when media content is at once youth-focused, consumerist, and escapist? Is it elitist and prejudiced to ask questions like these about quality?

The death of the intellectual: can Beckham replace Sartre?

Is the intellectual a superseded phenomenon like the troubadour or the condottiere - or a vital cultural resource in the consumer world? What associations exist between intellectual labour and the West's domination of material resources and intellectual property? Will the West hear intellectuals from the rest of the world? Is there an intellectual response function to the newest 'Pax' Americana? Is there an intellectual common ground for Islam, Christianity and secularism? Why are the British as embarrassed by intellectuals as the French are by their talent for football?

'In here and out there' - the media, the centre and the regions

How do the media define 'provinces' and 'regions', the 'centre' and the 'periphery'? How do the media drive the interests and values of some locations and suppress those from elsewhere? Is metrocentrism a major form of parochialism of developed media societies? What is the collective geographical subject of news producers, and who is defined through otherness? What are the demographics of inclusion and exclusion, and how do geographical identities relate to ethnicity, gender and class? How do national metrocentrisms map on to international media coverage, not least of the new category, 'asylum seeker'?

Getting past 'post-feminism'

The spectacle of the female body is as never before a standard component of the economies of tv, cinema, and the web, with even pre-teens now the target of legal as well as criminal image-producers across several media. What is the political meaning of these developments? In what ways may we comprehend alternative responses to female spectacle - for example, within some domains of Islam? Does the growth of spectacle of the male body 'equalize' the politics of the image or does it only make it easier to oppress women? Has the reach of techno-economic power made progressive sexual politics irrelevant?

The media and the end of history - a view from several continents

If political action is based on historical consciousness, how do the media affect historical knowledge? Do they help to obliterate history? How much resistance can there be to powerful media-borne versions of history? Does the web liberate individuals from institutional oppression, or increase Western/Anglophone ownership of history? Does computer technology exile history by intensifying the present? Can communities reconstitute their own histories through museums, social action and specialized media? If so, will the result be history or heritage?

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