ISSN: 14742756
Online ISSN: 20400578
First published in 2002
3 issues per volume
Current Issue:
Volume 11 / Issue 2-3 Free Issue
Volume: 8 | Issue: 1
Call for Papers

Special Issue: Queer Cinema in the 21st Century

Queerness has been represented on film, in varying ways, from the advent of motion pictures to the present day. This special issue of New Cinemas: Journal of Contemporary Film will explore the forms and functions of queer cinema in the early years of the 21st century. Completed articles on any topic pertaining to contemporary cinema studies at the intersection of gender/sexuality studies and/or queer theory are invited from scholars, educators, and students of various levels and disciplines.
 
Questions of relevance to the contents of this special journal issue include: (1) What cultural status does queer cinema possess in the early 21st century? (2) In what noteworthy ways does 21st-century queer cinema represent an extension of, and/or a significant deviation from, queer cinematic offerings of the past? (3) What sorts of representational patterns are evident in contemporary queer cinema, and whose interests do they ultimately serve? (4) What does the (near) future of queer cinema look like, and what are the cultural implications of this likely state of affairs for members of various cultural and demographic groups?
 
Of particular interest are insightful, theoretically informed articles pertaining to especially unique, noteworthy, and/or culturally influential representations of gay men, lesbians, bisexuals, and/or transgendered individuals in films (and/or related emerging media forms) released from the year 2000 to the present. Also of interest are articles pertaining to other topics of relevance to queer theory (e.g., fetishism, gender bending, homoeroticism, homosociality, masochism, sadism, sex work, etc.) as they are explored in cinematic offerings of the early 21st century.
 
Original submissions of approximately 15-25 typed, double-spaced pages should be e-mailed to guest editor Kylo-Patrick Hart (k.hart@tcu.edu) by October 15, 2012.
 
To facilitate the process of blind peer review, please include your name, complete contact information, and essay title on a separate cover sheet; with the exception of your essay title, please do not repeat this information on your first page of text. Please prepare your submission using the Harvard referencing system, with bibliographical references embedded in the main text in the following format (Harper 1999: 27) and a single bibliography at the end of the article. For additional references and style information, please consult the Intellect Journals House Style guide
 
Please direct any inquiries to the editor of this themed issue, Kylo-Patrick Hart, at k.hart@tcu.edu.
 

 

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Download the NC Notes for Contributors

The journal aims to provide a platform for the study of new forms of cinematic practice and fresh approaches to cinemas hitherto neglected in western scholarship. It particularly welcomes scholarship that does not take existing paradigms and theoretical conceptualisations as given; rather, it anticipates submissions that are refreshing in approach and exhibit a willingness to tackle cinematic practices that are still in the process of development into something new.

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