Intellect

The Soundtrack would like to invite contributions that explore any aspect of the field. For example, we welcome papers in the following generic areas:

* How technological developments impact upon soundtrack aesthetics

* The intersection of music and sound in film

* The training of film composers and sound designers

* Early sound cinema

* Sound for European silent film

* Issues of cognition and the soundtrack

* Notable works and practices

* Musique Concréte and Film

* Sound in interactive media

* Representations of reality and fantasy through sound

* The relationship between picture editing and the soundtrack

Contributions (5000-6000 words for major papers, 1000-3000 words for reviews and shorter articles) should include original work of a research or developmental nature and/or proposed new methods or ideas that are clearly and thoroughly presented and argued.