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ISSN: 17597137
First published in 2010 (forthcoming)
2 Issues per volume
First published in 2010 (forthcoming)
2 Issues per volume
Volume 1 Issue 1
Cover Date: September 2009 Price: £18
Contents
‘Everybody’s a Writer’ Theorizing screenwriting as creative labour
Page Start: 27 View Header/Abstract View PDF
‘…So it’s not surprising I’m neurotic’ The Screenwriter and the Screen Idea Work Group
Page Start: 45 View Header/Abstract View PDF
Teaching screenwriting in a time of storytelling blindness: the meeting of the auteur and the screenwriting tradition in Danish film-making
Page Start: 59 View Header/Abstract View PDF
Cyber-Aristotle: towards a poetics for interactive screenwriting
Page Start: 99 View Header/Abstract View PDF
Tonino Guerra: the screenwriter as a narrative technician or as a poet of images? Authorship and method in the writer–director relationship
Page Start: 113 View Header/Abstract View PDF
Creating Authorship? Lindsay Anderson and David Sherwin’s collaboration on If.... (1968)
Page Start: 131 View Header/Abstract View PDF
Screenwriting strategies in Marguerite Duras’s script for Hiroshima, Mon Amour (1960)
Page Start: 149 View Header/Abstract View PDF
No room for the fun stuff: the question of the screenplay in American indie cinema
Page Start: 175 View Header/Abstract View PDF
Reviews: Screenwriting: History Theory and Practice, Steven Maras (2009)
Page Start: 203 View Header/Abstract View PDF
Reviews: And the Best Screenplay Goes to…, Linda Seger (2008)
Page Start: 207 View Header/Abstract View PDF
Reviews: Authorship in Film Adaptation, Jack Boozer (ed.) (2008)
Page Start: 210 View Header/Abstract View PDF
Reviews: Embodied Visions: Evolution, Emotion, Culture and Film, Torben Grodal (2009)
Page Start: 214 View Header/Abstract View PDF
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