ISSN: 17597137
Online ISSN: 17597145
First published in 2010
3 Issues per volume
Volume 1 Issue 1
Cover Date: September 2009
Price: £18
Contents
Editorial
Authors:  Jill Nelmes 
Page Start: 3
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Editorial
Authors:  Ian W. Macdonald 
Page Start: 7
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After the typewriter: the screenplay in a digital era
Authors:  Kathryn Millard 
Page Start: 11
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‘Everybody’s a Writer’ Theorizing screenwriting as creative labour
Authors:  Bridget Conor 
Page Start: 27
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‘…So it’s not surprising I’m neurotic’ The Screenwriter and the Screen Idea Work Group
Authors:  Ian W. Macdonald 
Page Start: 45
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Teaching screenwriting in a time of storytelling blindness: the meeting of the auteur and the screenwriting tradition in Danish film-making
Authors:  Eva Novrup Redvall 
Page Start: 59
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The protagonist’s dramatic goals, wants and needs
Authors:  Patrick Cattrysse 
Page Start: 83
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Cyber-Aristotle: towards a poetics for interactive screenwriting
Authors:  Jasmina Kallay 
Page Start: 99
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Tonino Guerra: the screenwriter as a narrative technician or as a poet of images? Authorship and method in the writer–director relationship
Authors:  Riikka Pelo 
Page Start: 113
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Creating Authorship? Lindsay Anderson and David Sherwin’s collaboration on If.... (1968)
Page Start: 131
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Screenwriting strategies in Marguerite Duras’s script for Hiroshima, Mon Amour (1960)
Authors:  Rosamund Davies 
Page Start: 149
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No room for the fun stuff: the question of the screenplay in American indie cinema
Authors:  J. J. Murphy 
Page Start: 175
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Research Resources
Authors:  Nathalie Morris 
Page Start: 197
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Reviews: Screenwriting: History Theory and Practice, Steven Maras (2009)
Authors:  Adam Ganz 
Page Start: 203
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Reviews: And the Best Screenplay Goes to…, Linda Seger (2008)
Authors:  Tim Maloney 
Page Start: 207
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Reviews: Authorship in Film Adaptation, Jack Boozer (ed.) (2008)
Authors: 
Page Start: 210
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Reviews: Embodied Visions: Evolution, Emotion, Culture and Film, Torben Grodal (2009)
Authors:  Jule Selbo 
Page Start: 214
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