Volume 1 Issue 1
Cover Date: January 2011 Price: £6
Contents
An interview with Mauro Falomi, director of photography on The War Is Over
Page Start: 26 View Header/Abstract download PDF
Counterpoint and commentary on war in The War Is Over
Page Start: 29 View Header/Abstract download PDF
From the everyday to the universal: The War Is Over
Page Start: 33 View Header/Abstract download PDF
The War Is Over Nina Mimica short fiction film war Croatian culture Italian film arts counterpoint
Page Start: 37 View Header/Abstract download PDF
The way home:concealment and revelation in The War Is Over
Page Start: 43 View Header/Abstract download PDF
War/Homecoming: the social covenant and the body at risk in The War Is Over
Page Start: 47 View Header/Abstract download PDF
The War Is (Not) Over: a re-evaluation in the new era of perpetual war
Page Start: 51 View Header/Abstract download PDF
An interview with Ken Wardrop on Undressing My Mother
Page Start: 63 View Header/Abstract download PDF
Characters structuring narrative: Undressing My Mother within personal memoir film history
Page Start: 71 View Header/Abstract download PDF
Crying over the mother: reading (and feeling) Ken Wardrop’s contradictory construction of maternal femininity
Page Start: 77 View Header/Abstract download PDF
From provocation to poignancy: affect and the maternal body in Undressing My Mother
Page Start: 95 View Header/Abstract download PDF
Subject of/to the camera: embodied subjectivity and the mind/body split in Undressing My Mother
Page Start: 103 View Header/Abstract download PDF
Undressing My Mother and love and death in rural Ireland
Page Start: 107 View Header/Abstract download PDF
An interview with Ghislaine de Germon and Marianne Fonferrier on Village
Page Start: 120 View Header/Abstract download PDF



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