ISSN: 20427824
Online ISSN: 20427832
First published in 2011
2 Issues per volume
Volume 1 Issue 1
Cover Date: January 2011
Price: £6
Contents
EDITOR’S INTRODUCTION
Authors:  Richard Raskin 
Page Start: 3
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The War Is Over/La guerra è finita
Authors: 
Page Start: 5
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A shot-by-shot breakdown of The War Is Over
Authors:  Richard Raskin 
Page Start: 8
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The War Is Over
Authors: 
Page Start: 16
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An interview with Nina Mimica on The War Is Over
Authors:  Francesco Caviglia 
Page Start: 21
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An interview with Mauro Falomi, director of photography on The War Is Over
Authors:  Anne Riis 
Page Start: 26
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Counterpoint and commentary on war in The War Is Over
Authors:  Grace Russo Bullaro 
Page Start: 29
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From the everyday to the universal: The War Is Over
Authors:  Paul Sutton 
Page Start: 33
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The War Is Over Nina Mimica short fiction film war Croatian culture Italian film arts counterpoint
Authors:  Jakob Isak Nielsen 
Page Start: 37
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The way home:concealment and revelation in The War Is Over
Authors:  Kevin Anderson 
Page Start: 43
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War/Homecoming: the social covenant and the body at risk in The War Is Over
Authors:  Robert Burgoyne 
Page Start: 47
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The War Is (Not) Over: a re-evaluation in the new era of perpetual war
Authors:  Alberto Zambenedetti 
Page Start: 51
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THE LAST WORD ON THE WAR IS OVER
Authors:  Nina Mimica 
Page Start: 55
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UNDRESSING MY MOTHER
Authors: 
Page Start: 57
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A shot-by-shot breakdown of Undressing My Mother
Authors:  Richard Raskin 
Page Start: 60
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An interview with Ken Wardrop on Undressing My Mother
Authors:  Richard Raskin 
Page Start: 63
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Balancing responsibilities in Undressing My Mother
Authors:  Sophie Harper 
Page Start: 67
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Characters structuring narrative: Undressing My Mother within personal memoir film history
Authors:  Patricia Aufderheide 
Page Start: 71
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Crying over the mother: reading (and feeling) Ken Wardrop’s contradictory construction of maternal femininity
Authors:  Lee Parpart 
Page Start: 77
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Dressing the body in memories
Authors:  Nicole Richter 
Page Start: 83
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Aesthetics of intimacy
Authors:  Conn Holohan 
Page Start: 87
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Filming the naked body
Page Start: 91
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From provocation to poignancy: affect and the maternal body in Undressing My Mother
Authors:  Timothy W. Galow 
Page Start: 95
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Portrayed beyond exposure
Authors:  Monika Farukuoye 
Page Start: 99
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Subject of/to the camera: embodied subjectivity and the mind/body split in Undressing My Mother
Authors:  Laura Beadling 
Page Start: 103
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Undressing My Mother and love and death in rural Ireland
Authors:  Deirdre Boyle 
Page Start: 107
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THE LAST WORD ON UNDRESSING MY MOTHER
Authors: 
Page Start: 111
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VILLAGE
Authors: 
Page Start: 113
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A shot-by-shot breakdown of Village
Authors:  Richard Raskin 
Page Start: 116
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The original storyboard for Village
Authors: 
Page Start: 119
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An interview with Ghislaine de Germon and Marianne Fonferrier on Village
Authors:  Richard Raskin 
Page Start: 120
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An interview with Miles Goodall on Village
Authors:  Richard Raskin 
Page Start: 122
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A rhetorical analysis of Village
Authors:  Lars Pynt Andersen 
Page Start: 127
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Communicative and narrative sound in Village
Authors:  Iben Have 
Page Start: 131
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An unnatural sound in Village
Authors:  Jacob Smith 
Page Start: 135
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Village, a case study in effective communication
Authors:  Nancy Graham Holm 
Page Start: 139
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THE LAST WORD ON VILLAGE
Authors: 
Page Start: 143
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