Volume 2 Issue 1
Cover Date: May 2011 Price: £6
Contents
Alan Moore’s underground: The formation of a dissident cultural practice
Page Start: 21 View Header/Abstract
A hammer to shape reality: Alan Moore’s graphic novels and the avant-gardes
Page Start: 39 View Header/Abstract
‘Nothing too heavy or too light’: Negotiating Moore’s Tom Strong and the academic establishment
Page Start: 57 View Header/Abstract
Philosophy in the fairground: Thoughts on madness and madness in thought in The Killing Joke
Page Start: 69 View Header/Abstract
Alan Moore, Watchmen and some notes on the ideology of superhero comics
Page Start: 81 View Header/Abstract
Dark Genesis: Falls from language and returns to Eden from ‘Pog’ to Promethea
Page Start: 93 View Header/Abstract
‘Solve and coagula’: Alan Moore and the classical comic book’s spatial and temporal systems
Page Start: 105 View Header/Abstract
Pirate multiplicities: Aion, chronos and magical inscription in the graphic novels of Alan Moore
Page Start: 121 View Header/Abstract
Multiple living, one world?: On the chronotope in Alan Moore and Gene Ha’s Top 10
Page Start: 135 View Header/Abstract
Neil Gaiman: A portrait of the artist as a disciple of Alan Moore
Page Start: 147 View Header/Abstract
Googling ‘Vice-President Ford’ and the ‘Keene Act’: The discovery of Watchmen’s uchronical universe, twenty years after publication
Page Start: 159 View Header/Abstract



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