Volume 2 Issue 1
Cover Date: May 2011 Price: £18
Contents
Alan Moore’s underground: The formation of a dissident cultural practice
Page Start: 21 View Header/Abstract purchase PDF
A hammer to shape reality: Alan Moore’s graphic novels and the avant-gardes
Page Start: 39 View Header/Abstract purchase PDF
‘Nothing too heavy or too light’: Negotiating Moore’s Tom Strong and the academic establishment
Page Start: 57 View Header/Abstract purchase PDF
Philosophy in the fairground: Thoughts on madness and madness in thought in The Killing Joke
Page Start: 69 View Header/Abstract purchase PDF
Alan Moore, Watchmen and some notes on the ideology of superhero comics
Page Start: 81 View Header/Abstract purchase PDF
Dark Genesis: Falls from language and returns to Eden from ‘Pog’ to Promethea
Page Start: 93 View Header/Abstract purchase PDF
‘Solve and coagula’: Alan Moore and the classical comic book’s spatial and temporal systems
Page Start: 105 View Header/Abstract purchase PDF
Pirate multiplicities: Aion, chronos and magical inscription in the graphic novels of Alan Moore
Page Start: 121 View Header/Abstract purchase PDF
Multiple living, one world?: On the chronotope in Alan Moore and Gene Ha’s Top 10
Page Start: 135 View Header/Abstract purchase PDF
Neil Gaiman: A portrait of the artist as a disciple of Alan Moore
Page Start: 147 View Header/Abstract purchase PDF
Googling ‘Vice-President Ford’ and the ‘Keene Act’: The discovery of Watchmen’s uchronical universe, twenty years after publication
Page Start: 159 View Header/Abstract purchase PDF
The Moore film adaptations and the erotic-grotesque
Page Start: 177 View Header/Abstract purchase PDF
V versus Hollywood: A discourse on polemic thievery
Page Start: 195 View Header/Abstract purchase PDF
From Hell: Examining the transition from page to screen
Page Start: 207 View Header/Abstract purchase PDF



.jpg)

