ISSN: 14682761
Online ISSN: 20400616
First published in 1990
3 Issues per volume
Volume 32 Issue 3
Cover Date: November 2012
Price: £12
Contents
INTRODUCTION
Authors:  Sarah Goldingay And  Mick Mangan 
Page Start: 247
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Identifying some platitudes with regard to the plethoric text
Authors:  Howard Barker 
Page Start: 251
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BLOK/EKO: Synopsis
Authors:  Howard Barker 
Page Start: 255
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The Brilliance of the Servant without qualities: Bare life and the horde offstage
Authors:  Daniel Sack 
Page Start: 257
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The art music of theatre: Howard Barker as sound designer
Authors:  Adrian Curtin 
Page Start: 269
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Chasing the ellipses: Staging Howard Barker’s The Forty (Few Words)
Authors:  David Ian Rabey 
Page Start: 285
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Crowd or chorus? Howard Barker’s mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century
Authors:  Jens Peters 
Page Start: 305
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Reading Barker with Lacan: Twenty asides on Woman, the One and the Real
Authors:  Alex Mangold 
Page Start: 317
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From plethora to bare sufficiency
Authors:  Mick Mangan 
Page Start: 321
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Poetry and intensification in Howard Barker’s theatre of plethora
Authors:  Karoline Gritzner 
Page Start: 337
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Contra mortem, petimus scientiam: Pain, tragedy, death and medicine in BLOK/EKO
Authors:  Sarah Goldingay 
Page Start: 347
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tCHARLES V
Authors:  Howard Barker 
Page Start: 359
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