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Drama Therapy Review (DTR) welcomes submissions for issues 1.2 and 2.1

Please note the distinct issues and deadlines, below. 

Call for Papers Issue 1.2
 
Drama Therapy Review seeks articles that reflect the journal’s intention to document and disseminate drama therapy research, promote scholarship about drama therapy theory and practice, encourage inner and inter disciplinary dialogue, and provide a forum for lively debate in the field. DTR profiles and critically reflects upon current and emerging practices involving the intentional and therapeutic uses of dramatic improvisation and performance in clinical, educational, community, organizational, and research contexts.
 
Questions to consider:
  • What are the health benefits and risks of dramatic reality?
  • What are the goals of drama therapy and who establishes these?
  • How do drama therapists understand health, illness, ability and disability?
  • When, where and for whom is drama therapy indicated?
  • What are the dominant narratives that inform our practice, pedagogy, and approaches to research?
  • How might imagination and dramatic improvisation increase well being or decrease specific kinds of distress?  
  • How does race, gender, ability, socioeconomic status and/or age influence research and practice?
  • How might children and other vulnerable groups be more involved in research about their own experiences?
  • What consideration should be given to aesthetics in drama therapy?
  • What are the ethical implications of performing and witnessing private stories in public spaces?
These are but some of the questions that continue to arise in the field. DTR welcomes contributions from a wide range of scholarly work including, but not limited to: 
  • quantitative studies
  • qualitative analysis
  • practice and arts-based research
  • Reviews
  • Reports
  • Interviews
  • Commentaries
The editorial board assesses articles for the quality of scholarly and critical content. The principal language is English; however, the journal will consider articles in other languages for which reviewers can be accessed, with abstracts in English. Editorial assistance may be given to those whose work is worthy of inclusion, but for whom the language of the article is not their first, or for whom the written word is not their forte. There is an explicit policy of making the articles stylistically accessible and readable to the range of readership. 
 
To submit work for consideration please download our submission guidelines or contact the editor, Nisha Sajnani: dtr@intellectbooks.com. The submission deadline is February 1st, 2015.

Call for Papers for Special Issue (2.1): Borderlands: Diversity and Social Justice in Drama Therapy
 
This special issue of DTR will reflect on the contribution of drama therapy to the promotion of diversity and co-existence. Drama therapy involves the intentional use of dramatic improvisation and performance to deepen empathy, gain perspective, reveal group dynamics, and to work through conflict in order to alleviate distress and initiate desired changes. This issue aims to elevate discourse on diversity and inclusion by inviting contributions that critically engage with questions of power and privilege in the field of drama therapy.  This issue will also call attention to the ways in which drama therapeutic techniques are used to respond to historical and current forms of social control and exclusion. How might drama therapy contribute to a broader social discourse on culture and the politics of difference?
Key questions to consider:
  • Who defines the purpose and goals of drama therapy?
  • What circumstances influence who has access to drama therapy?
  • Who benefits from drama therapy research and performance?
  • Whose worldviews are under/represented in the field and how does this influence how drama therapists practice?
  • When might the practice of drama therapy reinforce harmful marginalization or encourage social conformity?
  • How might the practice of drama therapy contribute to reducing stigma or facilitate advocacy?
  • When does the practice of drama therapy disrupt or unsettle dominant narratives related to class, race, ability, gender, age, religion, legal status, sexual orientation and other forms of difference?
  • How is cultural competency incorporated in the training of drama therapists?
  • How do dominant paradigms influence training and research cultures in drama therapy?
  • What are some of the culturally situated notions of the body, affect and performance in the field?
  • How are power relations communicated in aesthetic choices and approaches to audience engagement?
  • How does therapeutic performance reveal, conceal and re/present difference?
  • What don’t we talk about? Are there some themes or experiences that are unplayable or underrepresented? What are the ethics of attempting to do so within a drama therapy frame?
DTR welcomes contributions from a wide range of scholarly work, including, but not limited to:
  • Quantitative studies
  • Qualitative studies
  • Practice/arts-based research
  • Reviews
  • Reports
  • Interviews
  • Commentaries
The editorial board assesses articles for the quality of scholarly and critical content. The principal language is English; however, the journal will consider articles in other languages for which reviewers can be accessed, with abstracts in English. Editorial assistance may be given to those whose work is worthy of inclusion, but for whom the language of the article is not their first, or for whom the written word is not their forte. There is an explicit policy of making the articles stylistically accessible and readable to the range of readership.
 
To submit work for consideration please download our submission guidelines or contact the editor, Nisha Sajnani: dtr@intellectbooks.com. The submission deadline for Issue 2.1 is August 1, 2015.
Read more Posted by Jessica Pennock at 10:41 (0) comments
Call for Papers: Journal of Music, Technology & Education
Special issue on Technology and Performance in Popular Music Education

Guest editors: Gareth Dylan Smith and Bryan Powell  

Performance in popular music education is an increasingly technologized space. As guitars, drums and microphones are gaining greater acceptance in school music curricula around the world through performance-based pedagogical models, such as the Modern Band curriculum of Little Kids Rock, and Musical Futures’ informal learning approach. Turntablism, music production and rapping have a growing presence in programmes from primary school to graduate level. Songwriting courses, rock camps and international collaborative pop projects sprout up globally in physical spaces and online, while children and young people write, produce and release multi-media popular music artefacts from their bedrooms and basements. Popular music has always relied on, grown through, and pushed innovation in technology. With students embracing change faster than many teachers can imagine relevant pedagogical approaches, new paradigms of performance are emerging: drummers become musical directors at the helm of a plethora of technologies, bassists play synthesizers as much as guitars, and front-people are masters of Ableton, loop pedals and computerized gloves. As performance and production skill sets thus diversify and converge, so other technologies democratize the music-making landscape.
 
The domains of technologically mediated popular music performance in educational contexts require the attention of critical scholars and actions researchers. This special issue of JMTE invites colleagues to submit papers including, but not be limited to, critical perspectives on the following:
 
·      Epistemologies and intersectionality in technology and popular music performance;
·      Music, technology and the liminal popular music performance classroom space;
·      Negotiating performance, (social) media and intellectual property in popular music performance;
·      Gender and technology in popular music performance;
·      Ethics and technologically mediated pro-sumption of popular music.
 
Please submit full papers of between 5,000 and 7,000 words to:
Read more Posted by Jessica Pennock at 09:44 (0) comments
Call for submissions to Northern Lights, Volume 16 - Themed Issue on: Television Drama in the Age of Media Convergence
TV drama seems to be in a state of permanent transformation. However, the present transformation hits the core of TV drama as we knew it, challenging the very concept of what TV drama used to be. Even if we choose to maintain the concept of TV, questions abound: Does digital TV increase choice and diversity, or does it just offer more recycled TV drama programmes? Does it change the role and obligations of public service broadcasting? To what extent are global TV drama formats favoured and enjoyed by audiences? The recent transition to digital TV and the impact of media convergence raise crucial aesthetic, cultural, social and political questions.
 
Technologically, TV has experienced a digital revolution, paving the way for seamless viewing via online distribution and streaming. Besides streaming, companies such as HBO and Netflix have launched themselves as commissioners and producers of original programming with yet-unknown consequences for traditional TV channels and production companies. Consequently, new models of production, distribution and consumption are developing. The tendency towards convergence between cinema and TV drama has accelerated. Directors usually associated with cinema such as Martin Scorsese, Jane Campion and Steven Soederbergh have made joint ventures with TV production companies, launching exclusive TV series with film actors. Furthermore, the intersections between television and social media, from debates on various websites to hashtags, live-tweeting and second screen phenomena, constitute an area of clear importance.
 
During the same period, TV drama has been an object to globalisation on a compelling scale, which manifests itself in different ways. This is felt in increasing coproduction and co-financing, in international casts and international exchanges of directors and script writers. English/American is the language of advantage, in which all kinds of cross-national productions are primarily performed. Is this state of affairs challenged by Asian, South American, or non-English European productions?
 
Alternative tendencies co-exist with globalisation and binge viewing. Broadcast TV is no longer considered “the private life of a nation state” (John Ellis 1982). Nevertheless, national broadcasters in many nations, such as the Scandinavian countries and the UK, continue producing TV drama, and the often-excellent ratings suggest that there remains an audience for their productions. Although national TV drama may primarily address a domestic audience, it is often made from a cross-cultural perspective, addressing the extended family at home as well as the more remote relatives in other countries. But how is this achieved?
 
In this volume of Northern Lights, we will focus on the transformation of TV drama in the age of media convergence and consider how we can understand this transformation by reconfiguring our theoretical and analytical approaches.

Topics of article proposals may include (but are not restricted to):
  • Production studies: What can researchers’ contact with the cultural industries provide vis-à-vis audience studies or text studies? In which ways do routines, rituals or production rules interfere with the production processes? Which roles can be attributed to the choice of places and spaces of production? Which roles do local, regional or national organisations play in the planning processes, and which part is played by aesthetics/timing/economy in international cooperation? How does television production change according to the new challenges and opportunities presented by TV series in a ‘post-television’ era?
  • Text studies and aesthetics: So-called quality drama characterised by high production values has been key to the recent interest in TV drama taken by TV researchers worldwide. But what exactly is quality drama? Is the concept of ‘production values’ valid in aesthetic analysis? Narrowing the perspective: What are the consequences of digital transformations and the new means of distribution? To what extent have the concepts of genre and narrative design changed alongside platforms and business models?
  • Distribution studies: Analyses of the changing economic and technological conditions of distribution. In the face of digital distribution to smartphones, tablets, and computers, to which degree can we still speak of ‘television’? New business models have emerged or are emerging, such as subscription video-on-demand (SVOD), transaction video-on-demand (TVOD), and ad-supported video-on-remand (AVOD). When it comes to streaming, there are also distinctions to be made, e.g. download-to-rent or download-to-own. What are the consequences of these new modes of distribution?
  • Audience studies: Reconsiderations of the aims and results of audience studies from a national/global perspective. Can dominant audience patterns be discerned vis-à-vis national TV drama productions, adaptations, and international remakes respectively? How are viewing patterns changed by factors such as second screening, streaming on demand, and the option of viewing wherever you are? What roles do fan cultures and online discussions play?
Send extended abstracts of 500-600 words to volume editors Professor Gunhild Agger (gunhild@cgs.aau.dk) and Associate Professor Mette Mortensen (metmort@hum.ku.dk).
 
Deadline for abstract submission: 1 April 2015
Notification of authors: 15 April 2015
Final article submission: 1 September 2015
Publication: Spring 2015
Read more Posted by Jessica Pennock at 11:32 (0) comments
Call for Papers: Journal of Italian Cinema and Media Studies
David di Donatello 1956–2016: 60 Years of Awards

In 2016, the Journal of Italian Cinema and Media Studies will celebrate the 60th anniversary of the David di Donatello prize with a themed issue. The purpose of this issue is to pay homage to this award for its cultural influence on Italian and world cinema, to review its history and endorse its international role. The Editor intends to publish a collection of articles that would document and historicize the value of the David di Donatello as the utmost expression of Italian and international film heritage and symbol of collective cinematic memory.

This CFP invites scholars, award ceremony organizers, archivists, film-makers, actors, journalists, producers and other professionals in the film industry to contribute with critical and historical articles, reports, interviews and biographies.

Send proposals in British English to the Editor, Flavia Laviosa, at flaviosa@wellesley.edu, by 25 February, 2015 and provide the following information:
 
1) a 500-word abstract outlining:
 
a) the topic
b) critical approach
 
The abstract should clearly state the goals of the article and provide a cohesive description of the objective of the argument.
 
In addition to the abstract, please submit the following:
 
a) relevant bibliography and filmography
b) 200 word biographical notes followed by a detailed list of academic publications or professional accomplishments.
Read more Posted by Jessica Pennock at 11:01 (0) comments
Call for Articles and Submissions: Critical Studies in Men’s Fashion
Special Focus Issue: The Impact of ‘Queer’ and ‘Gay’ on Men’s Fashion

Dr. Alex Bitterman, Guest Editor

 
Critical Studies in Mens Fashion is currently accepting submissions for a special focus issue on the impact of ‘queer’ and ‘gay’ on men’s fashion.  The deadline to submit a manuscript for this focus issue is 15 May 2015.
Contributions are welcome from all disciplines including: fashion studies, anthropology, art, art history, design, business, consumer studies, cultural studies, economics, gender studies, humanities, literature, marketing, psychology, queer studies, religion, sociology, and textiles.  Diverse methods including critical analysis, reportage, quantitative analysis, qualitative analysis and arts methods are accepted. 
 
Potential topics for this focus issue are broad, but may include:
 
•      Meterosexuality
•      Gender-specific clothing typologies
•      Explorations of gender ‘appropriateness’ and identity in men’s fashion
•      The perception of stereotype in men’s fashion
•      Transitioning between ‘queer’ and mainstream culture
•      Profiles of prominent gay fashion designers
•      Investigations in differences between fashion culture for gay men vs. straight men
•      Defining and breaking barriers defined by sexual orientation relative to men’s fashion
 
All manuscripts will undergo double blind peer review.  Articles will be selected on their content, scholarship, and technical quality.  The content must be in line with the vision of the journal in advancing scholarship on men and appearance. 
All submissions must follow Intellect’s house style for review.  Attached and at:  http://www.intellectbooks.co.uk/MediaManager/File/Intellect%20style%20guide.pdf  Manuscripts should be approximately 5000 words and use British spelling.  It is the author’s responsibility to clear image rights usage if images are included in the manuscript.  
 
Please send submissions and queries to:
Dr. Alex Bitterman, Guest Editor
bittera@alfredstate.edu
 
or
 
Dr. Andy Reilly, Principal Editor
areilly@hawaii.edu

Please feel free to circulate this call broadly to colleagues who may be interested.

Read more Posted by Jessica Pennock at 11:33 (0) comments
Call for papers: MIRAJ
Issue 4:1
‘Feminisms’. The current resurgence of feminist debate in western cultures has produced a spate of retrospectives charting the rise of feminist art by women in Europe and North America in the 1960s and ‘70s.  While debates now incorporate multiple and global feminisms, the use of the moving image, as a mode of documentation, advocacy and activism, as well as an art form, remains central to women’s struggles to overcome the inequalities that the so-called post-feminist 1990s so successfully masked. We invite articles, feature articles or review articles on all aspects of women’s moving image theory and practice, both historical and contemporary, arising from the experiences of women across the globe.
 
All submissions should be in English and adhere to the Intellect Style Guide (http://www.intellectbooks.co.uk/journals/page/index,name=journalstyleguide/)
 
Please submit completed manuscripts only. Send all contributions and proposals by e-mail in DOC or RTF format to the EditorialAssistant: miraj@arts.ac.uk
 

Deadline: 17 April 2015 

Read more Posted by Jessica Pennock at 10:07 (0) comments
The Big Picture film poster Competition

In partnership with Park Circus films, we’re giving away three exclusive posters for festive films that have become as synonymous with the Christmas season as Santa Claus or injuries at a black Friday sale.

The holiday wouldn’t be complete without a cosy revisiting of Frank Capra’s 1946 gem It’s A Wonderful Life, Brian Henson’s mischievous rehash The Muppet Christmas Carol and Robert Zemeckis’ CGI laden but no less magical The Polar Express - so you’ll be pleased to know that all three are back on the big screen at selected cinemas throughout the month of December.

All you need to do to win the set of three posters is tell us your favourite Christmas movie and why in 100 words or less.

Simply email your entry to Intellectthebigpicturemagazine@gmail.com before Friday December 19th for your chance to win.

Find out more here.

Read more Posted by Jessica Pennock at 11:47 (0) comments
Integrative Alexander Technique Practice for Performing Artists
Cathy Madden - Reading & Book Signing at UBookstore
Thursday, January 15, 2015 - 7:00pm
University Bookstore, 4326 University Way NE, Seattle, WA 98105
Price: Free
 

Teaching people to understand the ways they are interfering with their natural coordination, the Alexander Technique applies the use of consciously coordinated responses to ease tension, alleviate chronic stress, and improve performance. In a new guide-book specifically for performers, Alexander Technique coach Cathy Madden presents the practice as it applies to common concerns and specific applications in the life and work of performers. Join us at the Univerity Bookstore  for a reading and signing. Cathy will share from her new book and expand on how anyone can benefit from ridding themselves of unnecessary muscular and mental effort using the Alexander Technique.

Cathy Madden is principal lecturer for the University of Washingtons Professional Actor Training program, director of the Alexander Technique Training and Performance Studio in Seattle, and associate director and research director for BodyChance in Japan. She was a founding member and is a former chair of Alexander Technique International.

Read more Posted by Jessica Pennock at 11:25 (0) comments
Critical Studies in Men’s Fashion call for papers for focus issue on Boys’ Fashion.
Guest editors:
Jeannie Iorio, University of Hawai`i, West Oahu 
Will Parnell, Portland State University
 
Critical Studies in Men’s Fashion is now accepting submissions for a focus issue on reconceptualizing understandings of boys’ fashion and clothing culture (birth to age 8) with a specific focus on childhood and its interaction with fashion and material culture. Deadline to submit a manuscript for the focus issue is 15th January 2015. All manuscripts will undergo double blind peer review. Articles will be selected on their content, scholarship, and technical quality. The content must be in line with the journal’s vision of advancing scholarship on men and appearance. This vision can be interpreted in a variety of ways. For example, manuscripts could address topics such as young boys and their choice of clothing or how and why adults dress young boys the way they do. 
 
Contributions are welcome from any discipline, including (but not limited to) fashion studies, early childhood education, anthropology, art, art history, business, child and family studies, consumer studies, cultural studies, economics, education, gender studies, ethnic studies, humanities, literature, marketing, psychology, queer studies, religion, sociology, and textiles. Diverse methods including critical perspectives, qualitative, reconceptualist, narrative, arts-based, poststructural, auto-ethnographic, interpretivist phenomenological, sociological, ethnographic, arts methodology, and alternative forms of knowledge construction are encouraged.
 
Potential topics for this focus issue include (but are not limited to):
  • alternative conceptions of boys’ clothing
  • aesthetic quality and boys’ clothing
  • stereotyping and gender bias in early years research
  • play and boys’ clothing
  • literature and boys’ clothing
  • social class and boys’ clothing
  • anthropology of boys’ clothing
  • gender perfomativity
  • gender non-comformity 
All submissions must follow Intellect’s house style for review: http://www.
intellectbooks.co.uk/MediaManager/File/Intellect%20style%20guide.pdf. Manuscripts should be maximum 7000 words and use British spelling. It is the author’s responsibility to clear image rights usage if they are included in the manuscript. 
 

Please send submissions and queries to guest editor Jeanne Iorio (Iorio@Hawaii.edu). 

Visit the journal's webpage.

Read more Posted by Jessica Pennock at 15:19 (0) comments
China Image Film Festival in London
Sponsored by Intellect
Intellect is proud to be one of the sponsors of the 6th China Image Film Festival in London. The publisher’s representative will be meeting the audience, filmmakers, actors, actresses, film critics and academics at the opening ceremony on the 18th November. 
 
The 6th Europe China Image Film Festival will be launched in London from November 18th to 25th, 2014. Founded in 2009, ECIFF is the largest and most highly attended Chinese film festival in Europe. With the target of “China Image, Move the World”, ECIFF has been committed to serving as a platform between Chinese films and European audiences. Also, as an important bridge that connects Chinese films and the international film industry, this year ECIFF continues to perform as a platform for the cooperation, coproduction and joint venture between Chinese and European film industries.
 
This year, Europe China Image Film Festival comes back with four highlights:
 
Highlight 1: A Charity Blockbuster as the Opening Film
 
One Day, the 3-million-budget (RMB) film, is selected as the opening film. Starred by the A-list Chinese stars such as Zhou Xun, Siqin Gaowa, Xu Fan and Han Geng, this non-profit film is composed of nine stories of the different life of children. Connected loosely with each other, all of these nine storylines have focused on one theme: the power of love in Children’s growth.
 
Highlight 2: Two Film Industry Forums
 
Two forums on the film industry will be held on the 19th and 20th November: Eu-China Co-Production Forum & Co-Production Project Pitch, Youth Film Forum. European investors show interest in the Chinese market after the Chinese co-production policy with UK/EU has gradually relaxed; the Chinese film industry would benefit through cooperation projects with the advanced technology, talents, and production procedure from the European film industry, in order to raise the quality and diversity in film-making, as well as to expand the promotional and distribution channels. Besides, the Youth Film Forum focuses on three parts: China-UK film & TV talent development and training; China-UK film & TV exchange project for young talents; and China-UK young generation film-makers – experience sharing and co-operation opportunities.
 
Highlight 3A Star-Studded Award Ceremony
 
In the Award Ceremony, many Chinese film stars will come to London and attend the ceremony. Chen Sicheng and Tong Liya, the star couple comes with their new film Beijing Love Story. Directed by Chen, the film depicts a number of couples from different generations who are facing challenges between dreams and reality in Beijing.
 
Highlight 4: Multi-themed films in the Film Exhibition Week
 
This year, around 30 films will be screened in Odeon cinema (panton street), including documentaries, animation, shorts, minority films, artistic films, and moreover, non-Chinese films.
 
For more information about the festival, please visit the festival official website:

http://china-image.org 

Read more Posted by Jessica Pennock at 10:45 (0) comments