The deadline for the first Call for Papers to Drawing: Research, Theory, Practice 1.2 has now been extended to 1 March 2016.
To view the Call for Papers and Notes for Contributors, click here.
We are delighted to announce that the fourth volume of Art & the Public Sphere has been published. This is a special double issue on ‘The Ethics of Social Practice’ guest edited by Jonathan Wallis. The rich and multifaceted issue is privileged to present interviews with Tania Bruguera (who is delivering the keynote address at CAA 2016 in Washington DC) and chief curator of Creative Time Nato Thompson.
This issue includes articles by Adeola Enigbokan, Rise Wilson and Daniel Tucker, stemming from ‘The Ethics of Social Practice’ panel at CAA 2015; response articles by Gretchen Coombs and Mark Hutchinson of APS; an Artoon by Pablo Helguera; and exhibition reviews. We also present an original ‘Local Profiles’ section covering art collectives and projects in the Philadelphia area – a focused case study on real responses to ethics in social practice.
To access APS 4.1&2 please click here.
Theatre for Children in Hospital: The Gift of Compassion by Persephone Sextou is the first work devoted to exploring the impact of theatrical experience on children’s perception of illness and wellbeing in clinical environments. At its core is an arts-based research project by Newman University's Community & Applied Drama Lab (CADLab) on the role of beside theatre performance in children's recovery.
Intellect are delighted to announce that CADLab has secured a three-year £49,349 grant from BBC Children in Need to develop its work in local hospitals. The project will start in 2016, in the West Midlands, before being rolled out to hospitals and schools in partnership with NHS Trusts and the Local Educational Authorities across the UK.
To find out more, see the following links:
Newman University CADLab awarded BBC Children in Need grant
Dr. Persephone Sextou helps secure Children in Need grant
International Health Humanities network - Persephone Sextou
29 June - 1 July 2016
CONFERENCE THEME: FOOD DESIGN: THE HUMAN TOUCH
Food design, preparation and production is often faceless, the 2016 International Food Design Conference and Studio, 29 June – 1 July 2016 is dedicated to celebrating the people who design, prepare and produce our food. Whether they are a chef, artisan producer, farmer, processor, manufacturer, charity worker or home cook, these are the people that sustain, educate and entertain us.
Good design can help improve the work and lives of all of us and good food design is no exception to this. It can help us to:
• make work practices more efficient, enjoyable and sustainable for those producing food.
• tell the stories of the people behind our food so that their work is more appreciated and valued.
• build stronger relationships between different players in the industry to make for more robust value chains and processes.
It is time to recognise the human side of food design. Food Design: The Human Touch celebrates the people that feed us in so many different ways and explores ways that we can add value to their work and lives.
Food Design: The Human Touch will explore:
• Design that enhances the lives and work practices of domestic and commercial food producers;
• Design that tells the story of the people behind the food;
• including a special session on stories of New Zealand and the Pacific;
• Design that bridges the gap between producer and consumer (whole-of-value-chain).
We are seeking proposals for the following:
• Short (10-15 minute) presentations that will engage a broad (academic and non-academic) audience;
• Hands-on workshops of 2 - 4 hours that will appeal to a wide audience of food professionals and enthusiastic amateurs (these are normally delivered to between 15 and 30 people and may be delivered once or twice);
• Art works, installations and short performances (of between 51and 30 minutes) related to the theme of the conference;
• Short films, digital and/or print media that will appeal to the intended audience for the conference and contribute to the story-telling aspect of the conference theme.
• Collaborations with local restaurants and cafes for evening dining experiences that relate to the theme of the conference (these are ticketed events that are purchased by conference attendees and the general public).
• 19 February 2016 2-4 page proposal and 100 word bio (.doc & .docx only) sent to firstname.lastname@example.org.
• 4 March 2016 Outcome of proposals sent to authors. Formal acceptance letters will be sent2.
• 29 March 2016 300-word abstract (.doc & .docx only) for accepted work sent to email@example.com.
• 6 May 2016 Feedback on abstract sent to authors.
• 27 May 2016 Final abstract sent to firstname.lastname@example.org.
• 29 June – 1 July 2016 International Food Design Conference and Studio.
KEY CONSIDERATIONS BY THE REVIEW PANEL:
1. Relevance to the theme of the conference (Food Design: The Human Touch, outlined above).
2. The quality of the proposal in terms of its written and/or visual communication.
3. The likely appeal of the presentation/workshop/artwork/dining experience/media to the intended audience.
The intended audience includes:
• Chefs and other food professionals;
• Food designers and designers with a professional interest in food;
• Food and design media;
• Farmers, food producers and manufacturers;
• Food educators (secondary and tertiary);
• Interested foodies;
• Artists interested in synergies between art and food practices.
4. The experience and reputation of the presenter(s) may also be taken into consideration. It is therefore important that we receive a short bio for the presenter(s) and links to relevant previous presentations and work. However, new presenters are encouraged to submit a proposal and should not be discouraged by the requirement to include a bio.
ACADEMICS, RESEARCHERS & ARTISTS REQUIRING FORMAL REVIEWS:
All proposals and abstracts will be double-blind peer reviewed by experienced reviewers so that you may count your presentation or creative work towards your research quantum.
If you also wish to have your creative works formally reviewed and critiqued at the conference, this may be possible.
Please contact Richard Mitchell (email@example.com or 021301296) if you wish to have your work reviewed.
There will be no formal paper proceedings published for this conference; only a book of abstracts will be published directly from the conference. However, a special issue of the International Journal of Food Design will be published in 2017 on the theme of this conference (Food Design: The Human Touch). Presenters may be asked to submit a manuscript for review post conference. A call for papers for this special issue will be available in due course.
Minimalen Short Film Festival, in collaboration with Midtnorsk Filmsenter and The Norwegian Film board, presents 'Short Film Studies Symposium 2016'. This symposium will launch Short Film Studies issue 6.2, and will open discussions with the two filmmakers featured: Naomi Levari (Draft, 2004) and Sigalit Liphshitz (Cock Fight, 2000).
The full catalogue for the festival, featuring the Symposium on p. 53, can be seen here.
Intellect will be attending the 104th College Art Association Annual Conference in Washington, DC between the 3-6 February. Please drop by our booth to see our latest books and journals or to find out more about Intellect. We will be on the look out for quality book proposals and journal articles.
Please contact James Campbell for more details: firstname.lastname@example.org.
The next Annual MeCCSA Conference will be held 6-8 January 2016 in Canterbury, UK. The theme of the MeCCSA 2016 is ‘Communities’. Keynote speakers and panel streams will be dedicated to this theme.
The conference is hosted by the School of Media, Art and Design, Canterbury Christ Church University and will be held at our North Holmes Road campus (please visit our practicalities section on the menu for further details).
If you have any questions, the conference team can be contacted via email at:email@example.com
To register for the conference please click here
Aims and Scope
Metaverse Creativity is an academic peer-reviewed journal focusing on virtual creativity in online virtual worlds and other related platforms where the virtual is examined as a central theme in contemporary media art practices and applied contexts. The subject of digital creativity and its subsequent exploration are sought from the broad perspective of Art, Science and Technology in what is a widespread field of discourse. A focus of the journal is an examination of the creative activity in the metaverse from art, design and architecture, to research and education, to play and entertainment. Additionally, the journal seeks to engage with ways in which the virtual reflects upon the implications of the physical.
The spectrum of topics that fall within the scope of the journal include:
- • Creative Practices related to Virtual Worlds, Augmented Space, Virtual Reality, Mixed Reality, Future Immersive Worlds, Physical/Virtual Dialogues
- • Art, Science and Technology – Art and Science, Art and Technology, Art as Research / Practice Based Research
- • Virtual technologies – Virtual Reality/Augmented Reality, Cognitive Informatics, Brain-Computer Interfaces
- • Embodiment Practices – the Avatar, Identity, Performance, Gender
- • Applied Practices related to Networked Performance, Art and Heritage, and Cyber-museums
- • Learning in Virtual Worlds, and applications related to Therapy and Health
- • Theoretical Contexts
Call for Papers
Articles should be between 5000 and 10,000 words in length, including keywords, full references, bibliography and an abstract of no more than 300 words detailing the key areas of investigation, supplemented with colour images (to be supplied separately), which are at least 1600 pixels wide (300 dpi). Given the scope and breadth of the topics listed above, authors are kindly asked that their contributions be accessible to the non-specialist reader whilst retaining all of the requirements of academic rigor.
In addition to full text articles, proposals for reviews, scope related interviews and photo essays that document, evaluate or reflect on creative activity in a virtual context can also be undertaken. In this instance individuals are required to submit visual material together with a written proposal which should include a critical introduction of no more than 500 words outlining to the editorial team why the work submitted is relevant to the theme of the journal. Please refer to the Intellect Style Guide before submitting to the journal.
Submission Deadline: Friday 15 April 2016.
Submissions and enquiries should be sent to the editors: Elif Ayiter (firstname.lastname@example.org) and Denise Doyle (D.Doyle@wlv.ac.uk).
AATI-ACTFL International Conference
Boston 18–20 November 2016
Call for Proposals
Academic celebrations of Italian cinema anniversaries
Panel organizer: Flavia Laviosa (Wellesley College, Editor of the Journal of Italian Cinema & Media Studies)
The Journal of Italian Cinema & Media Studies has published one double themed issue celebrating the 60th anniversary of RAI: 1954–2014 (Vol. 3:1-2, 2015); and a second special issue historicizing the 60th anniversary of the David di Donatello award: 1956–2016 (Vol. 4:2, 2016. Forthcoming January 2016).
The Editor of the journal is committed to publish new issues that will document, historicize and critically examine other major anniversaries celebrating the Italian film tradition. The purpose of these future collections is to pay homage to three main institutions: the Centro Sperimentale di Cinematografia, Cinecittà Studios and the Nastro d’Argento award, for representing the highest expressions of the Italian film heritage and for being symbols of collective cinematic memory.
This CFP invites critical and historical proposals on the following anniversaries:
- 80th anniversary of Centro Sperimentale di Cinematografia: 1935–2015
- 80th anniversary of Cinecittà: 1937–2017
- 70th anniversary of the Nastro d’Argento/Silver Ribbon award: 1946–2016
Submit a title, a 100 word professional biography, and a 250 word proposal describing your topic to Flavia Laviosa at email@example.com by 10 January 2016.