The Journal of Illustration provides an international forum for scholarly research and investigation of a range of cultural, political, philosophical, historical, and contemporary issues, in relation to illustration. This peer-reviewed journal encourages new critical writing on illustration, associated visual communication, and the role of the illustrator as maker, visualizer, thinker, and facilitator, within a wide variety of disciplines and professional contexts. This title is indexed with the Web of Science’s Emerging Sources Citation Index (ESCI). For more information, to access the journal or to subscribe visit the Discover platform here.

Animation Practice, Process & Production is a double-blind peer-reviewed journal presenting, analysing and exploring how animation is created and shown. Animation encompasses a huge variety of practices, many of them unacknowledged or underexplored. This journal attempts to bring all types of animation to the fore and to present insight and analysis about the practice, process and production of such work. For more information, to access the journal or to subscribe visit the Discover platform here.

What are the challenges of learning and teaching in art, design and communication? The peer-reviewed journal of Art, Design & Communication in Higher Education aims to inform, stimulate and promote the development of research in the field by providing a forum for debate arising from findings as well as theory and methodologies. This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI). For more information, to access the journal or to subscribe visit the Discover platform here.

Design Ecologies describes a burgeoning field that promotes ecological transitions within local and global contexts. This peer-reviewed journal builds communities and discusses themes that cross over, into and out of architecture, environment, interaction, urbanism, performing arts and communication. For more information, to access the journal or to subscribe visit the Discover platform here.

The Journal of Contemporary Painting (JCP) is a discursive peer-reviewed publication concerned with the practice of contemporary painting in its broadest sense. JCP treats painting as a context for discussion, exploring its sphere of influence, rather than as a medium-specific debate and is particularly interested in research emerging from practice-based projects. This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI). For more information, to access the journal or to subscribe visit the Discover platform here.

The aim of Craft Research is to advocate and promote current and emerging craft research, including research into materials, processes, methods, concepts, aesthetic and style. This may be in any discipline area of the applied arts and crafts, including craft education. The journal will portray and build the crafts as a vital and viable modern discipline that has a vision for the future. It is distinct from mainstream journals in that it is dedicated to presenting and reporting on research, in the widest sense, in order to advance the knowledge in the field. Making this knowledge, in whatever form, available to the community will help build and advance the field, and present it – in all its diversity – as a strong and essential force that cannot be overlooked. All articles are double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity. This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI). For more information, to access the journal or to subscribe visit the Discover platform here.

Philosophy of Photography is a peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal’s title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other. This title is indexed with the Web of Science’s Emerging Sources Citation Index (ESCI). For more information, to access the journal or to subscribe visit the Discover platform here.

Studies in Comics aims to describe the nature of comics, to identify the medium as a distinct art form and to address the medium's formal properties. The emerging field of comics studies is a model for interdisciplinary research and this peer-reviewed journal welcomes all approaches and methodologies. Its specific goal, however, is to expand the relationship between comics and theory and to seek to articulate a 'theory of comics'. This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI). For more information, to access the journal or to subscribe visit the Discover platform here.

JAWS is a peer-reviewed journal that publishes new art and writing from early- to mid-career researchers and practitioners working across creative disciplines. JAWS publishes writing about art and writing as art. We welcome practice-based research, visual essays, book reviews and interviews by emergent practitioners and researchers. Supporting criticality and experimentation in arts writing, the journal connects authors to an international audience. JAWS welcomes divergent and/or unconventional forms, as well as more traditional submissions. For more information, to access the journal or to subscribe, visit the Discover platform here.

The Journal of Contemporary Chinese Art seeks to explore the relationship between contemporary art and Chinese cultural identity in its broadest sense. This peer-reviewed journal provides a forum for critical debate into Zhongguo dangdai yishu, the ‘avant-garde', experimental and museum-based visual art produced as part of the liberalization of culture that has taken place within mainland China since 1978. It also explores works produced by artists of non-Chinese ethnicity who live and work within Chinese contexts or whose work has a strong relationship to Chinese culture, society and history. This journal was established in 2014 by Founding Editor Paul Gladston. The journal operates on the basis of thematic CFPs only, please consult the current CFPs before submission. This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI). For more information, to access the journal or to subscribe visit the Discover platform here.

A holistic guide to finding and cultivating the art that you alone were born to make. Through a series of exercises, artists peel away the cultural and psychological obstacles to building a resonant life, and dig deeply into their own unique identities and experiences to unearth and intensify their idiosyncratic visual voice. 22 b&w illus.Listen to Kate Kretz' 'Beyond Cheap Tricks' here.Check out Art and Cakes's Artist Spotlight on Kate Kretz here.Artist Spotlight: additional work from Kate Kretz  

Working around the pervasive themes of relationality and renderings, ethics and embodiment, movement and materiality, and propositions and potentials, the volume simultaneously offers a site for the review of key historical works and at the same time, new scholarship that enters into conceptual conversations around a/r/tography.

The book tackles ecological and social challenges facing us today through the lens of art education and art practice, bringing together global voices to propose ways of engaging with issues of social justice and environmental awareness through the lens of art education, artistic and curatorial practices activism. 65 b&w illus.

Over 200 observational drawings created every day from the same window during the Covid-19 pandemic in 2020, revealing life in an ordinary English street in extraordinary times. A visual record and a unique meditation on place, nature, community, well-being, and the value of mindfully appreciating them all through drawing. 174 b&w, 48 col. illus.

This richly illustrated volume explores critical and visual practices through the lens of intersections between pattern and chaos. It challenges disciplinary boundaries, perception and communication, often referencing the in-between territory of art and science through experimentation and visual scrutiny. 179 colour illus.

A graphically compelling, richly illustrated, and theoretically robust text for artists, designers and teachers. The collection presents field notes for meaningful artistic inquiry and exploration that includes divergent practices in art, design, curriculum, and education within contemporary issues in the field of art and education. 200 col. illus.

A compelling case for vision-based pedagogy. It provides a wealth of insights, guidance, and exercises grounded in Gestalt perceptual theory and neurological research. The premise is that a student of drawing or painting must develop skills to see and create, using ground-directed looking rather than object-directed looking. 107 b/w illus. Watch Michael Torlen's mini doc on Studio Seeing hereAccess Chapter 5: Beyond Face or Vase for free here

Addresses the question of how architecture – defined broadly – mediates the forces that constitute various forms of flows and boundaries, and thus creates nuanced definitions of Muslim selves. It book discusses how different experiences of partition and consolidation informed or resisted architectural developments and urban planning. 167 b/w illus.

This edited collection highlights ways that arts-educators have taken up important questions around environmental sustainability and land stewardship through walking practices across spatial, temporal and cultural differences. 42 b&w illus.

A critical survey of art practices by 25 artists, whose work involves the use of 3-D from 1900 to present. Addresses themes such as networked VR, the stereoscope as a spectacle in art practices ranging from painting to installation art, film, video, virtual reality art and the metaverse. 3-D glasses included with print editions. 89 colour illus.