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Open Roads, Closed Borders
The Contemporary French-Language Road Movie
Now Available
Price £45, $64.50
ISBN 9781841506623
Hardback 181 pages
230x170mm
Published March 2013
Imprint: Intellect
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Edited by Michael Gott and Thibaut Schilt
Chapter Titles     |      Reviews     |      Comments

This is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France’s former colonies, Europe, and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to reimagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa, and East and West.

Chapter titles
Introduction
Michael Gott and Thibaut Schilt
Chapter 1: On the Eve of the Journey: Tangier, Tbilisi, Calais
Laura Rascaroli
Chapter 2: The Constant Tourist: Passing Intimacy and Touristic Nomadism in Drôle de Félix
Florian Grandena
Chapter 3: Brittany, No Exit: Travelling in Circles in Manuel Poirier’s Western
Thibaut Schilt
Chapter 4: Troubling Return: Femininity and Algeria in La Fille de Keltoum
Darren Waldron
Chapter 5: Going Nowhere Fast: On the Road in Contemporary Algeria in Tariq Teguia’s Rome plutôt que vous
Joseph McGonagle
Chapter 6: Times on the Road: Identity and Lived Temporality in Benoît Jacquot’s À tout de suite and L’Intouchable
Glen W. Norton
Chapter 7: Tourism and Travelling in Jean-Luc Godard’s Allemagne 90 neuf zéro and Éloge de l’amour
Ewa Mazierska
Chapter 8: Under Eastern Eyes: Displacement, Placelessness and the Exilic Optic in Emmanuel Finkiel’s Nulle part terre promise
Michael Gott
Chapter 9: Nowhere to Run, Somewhere to Hide: Laurent Cantet’s L’Emploi du temps
Martin O’Shaughnessy
Chapter 10: Traffi c in Souls: The Perils and Promises of Mobility in La Promesse
David Laderman
Chapter 11: Mobility and Exile in Claire Denis’s 35 rhums
Michelle Royer and Miriam Thompson
Chapter 12: Gatlif’s Manifesto: Cinema is Travel
Sylvie Blum-Reid
Reviews
'Open Roads, Closed Borders opens the reader’s eyes to a vast world of ideas by viewing them through the pinhole perspective of the contemporary French-language road movie' – Spectrum Culture, Josh Goller

'This is a welcome addition to a still-developing area. Gott and Schilt admit that there were many more films that they would like to have included; one can only hope that their suggested second volume sees the light of day' – French Studies, Ben McCann

'Open Roads, Closed Borders constitutes a fresh criticism on the intersection of cinema, economy, and politics. Undoubtedly, this is one of the best books this reviewer has ever read on mobility-related issues.' – Annals of Tourism Research, Maximiliano E. Korstanje

'As someone who teaches contemporary French-language cinema, I continually search for texts to accompany the films my students view. To date, Gott and Schilt's collection of essays is the best-suited text for such a course. ' – Mariah Devereux Herbeck, The French Review

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