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Television Antiheroines
Women Behaving Badly in Crime and Prison Drama
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Price £34, $45
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ISBN 9781783207602
Paperback pages
170x230
Published March 2017
Imprint: Intellect
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Edited by Milly Buonanno
Chapter Titles     |      Reviews     |      Comments

Part I: Mafia Women 25
Chapter 1: Godmothers in Italian Mafia Story: Or ‘Something Else Besides a Mother’ 27

Milly Buonanno

Chapter 2: Mafiosa, Monstruous Beauty: Power and Loneliness of a Female

Mob Leader 49
Barbara Villez

Chapter 3: Adieu Carmela Soprano! Lessons from the HBO Mobster Wife on

TV Female Agency and Neo-liberal (Narrative) Power 65
Kim Akass and Janet McCabe

With a foreword by Diane Negra and Jorie Lagerway

As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type. Television Antiheroines looks closely at this recent development, exploring the emergence of women characters in roles typically reserved for men, particularly in the male-dominated genre of the crime and prison drama.

The essays collected in Television Antiheroines are divided into four sections or types of characters: mafia women, drug dealers and aberrant mothers, women in prison, and villainesses. Looking specifically at shows such as Gomorrah, Mafiosa, The Wire, The Sopranos, Sons of Anarchy, Orange is the New Black, and Antimafia Squad, the contributors explore the role of race and sexuality and focus on how many of the characters transgress traditional ideas about femininity and female identity, such as motherhood. They examine the ways in which bad women are portrayed and how these characters undermine gender expectations and reveal the current challenges by women to social and economic norms. Television Antiheroines will be essential reading for anyone with a serious interest in crime and prison drama and the rising prominence of women in nontraditional roles.

Chapter titles
Part I: Mafia Women
Buonanno, Villez, Akass and McCabe
Chapter 1: Godmothers in Italian Mafia Story: Or 'Something Else Besides a Mother'
Milly Buonanno
Chapter 2: Mafiosa, Monstruous Beauty: Power and Loneliness of a Female Mob Leader
Barbara Villez
Chapter 3: Adieu Carmela Soprano! Lessons from the HBO Mobster Wife on TV Female Agency and Neo-Liberal (Narrative) Power
Kim Akass and Janet McCabe
Part II: Drug Dealers and Aberrant Mothers
Hermes, Giomi, Lotz and Rivero
Paying the Price: Penoza – Combining Motherhood anf a Career (in Crime)
Joke Hermes
'Really Good At It': The Viral Charge of Nancy Botwin in Weeds (and Popular Culture's Anticorps)
Elisa Giomi
Really Bad Mothers: Manipulative Matriarchs in Sons of Anarchy and Justified
Amanda D. Lotz
La reina del sur: Teresa Mendoza, a New Telenovela Protagonist
Yeidy M. Rivero
Part III: Women in Prison
Ball, Turnball and Walters
Chapter 8: Blurred Lines: The Queer World of Bad Girls
Vicky Ball
Chapter 9: Top Dogs and Other Freaks: Wentworth and the Re-imaging of Prisoner Cell Block H
Sue Turnball
Chapter 10: Lesbian Request Approved: Sex, Power and Desire in Orange is the New Black
Suzanna Danuta Walters
Part IV: Villainesses and Anti-antiheroines
Joyce, La Pastina, Williams, Press and Redhead
Chapter 11: Women and Criminality in Brazilian Telenovelas: Salve Jorge and Human Trafficking
Samantha Joyce and Antonio Las Pastina
'Your Turn, Girl': The (Im)Possibility of African American Antiheroines in The Wire
Bruce A. Williams and Andrea L. Press
Taming Pussytown: How Post-feminism Domesticated Underbelly: Razor
Leigh Redhead
Reviews
'[T]his collection of high-minded studies aims to examine how women have been allowed to travel in the same trajectory (the new “golden age of television” started by show-runners like David Chase and Vince Gilligan) gave way to equally strong visionaries like Jenji Kohan (Weeds, Orange Is the New Black) and numerous telenovelas in Brazil, Colombia, and New Zealand.' – Popmatters, Christopher John Stevens

'Television Antiheroines: Women Behaving Badly in Crime and Prison Drama is a strong collection of academic scholarship, and is a required purchase for scholars whose research relates to gender roles and female agency, particular in television. The book will undoubtedly serve graduate students and established professionals in the fields of critical, cultural and media studies very well. These 13 essays are highly detailed and effortlessly engaging. Through examination of antiheroines such as The Sopranos’ Carmela Soprano and Weeds’ Nancy Botswin, as well as foreign protagonists such as Penoza’s Carmen Walraven and the Spanish-language La Reina del Sur’s Teresa Mendoza, Television Antiheroines: Women Behaving Badly in Crime and Prison Drama raises intriguing and timely questions regarding feminism and female identity.' – Graeme Wilson, Critical Studies in Media Communication

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