Richard Raskin
Journal articles

Asian Cinema issue 18.2: The Moth in Merry Christmas, Mr. Lawrence

Journal of Scandinavian Cinema issue 4.1: On short film storytelling

Short Film Studies issue 1.1: EDITOR’S INTRODUCTION A shot-by-shot breakdown of The War Is Over A shot-by-shot breakdown of Undressing My Mother An interview with Ken Wardrop on Undressing My Mother A shot-by-shot breakdown of Village An interview with Ghislaine de Germon and Marianne Fonferrier on Village An interview with Miles Goodall on Village

Short Film Studies issue 1.2: An interview with Unni Straume on Derailment An interview with Eduardo Chapero-Jackson on Alumbramiento A shot-by-shot breakdown of Sunday Editor's Introduction Shot-by-shot breakdown of Alumbramiento An interview with John Lawlor on Sunday A shot-by-shot breakdown of Derailment

Short Film Studies issue 2.1: A shot-by-shot breakdown of Kitchen Sink EDITOR’S INTRODUCTION An interview with Mitko Panov on With Raised Hands An interview with Alison Maclean on Kitchen Sink A shot-by-shot breakdown of With Raised Hands An interview with Marianne Olsen Ulrichsen on Come A shot-by-shot breakdown of Come

Short Film Studies issue 2.2: EDITORS INTRODUCTION A schematic breakdown of The Girl Chewing Gum A schematic breakdown of Wind An interview with Marcell Iványi on Wind A shot-by-shot breakdown of In Chambers Interviews with Per Fikse and Kalle Løchen on short film production in Norway

Short Film Studies issue 3.1: A shot-by-shot breakdown of Natan An interview with Carina Ekman (producer) on Natan EDITOR'S INTRODUCTION An interview with Jonas Holmström on Natan A shot-by-shot breakdown of The Cage

Short Film Studies issue 3.2: A shot-by-shot breakdown of Cat’s Cradle A plot outline of Cat’s Cradle An interview with Liz Hughes on Cat’s Cradle A shot-by-shot breakdown of Eating Out An interview with Pål Sletaune on Eating Out

Short Film Studies issue 4.1: A shot-by-shot breakdown of Matka/A Journey A shot-by-shot breakdown of The Bloody Olive An Interview with Vincent Bal on The Bloody Olive

Short Film Studies issue 4.2: Editor’s introduction A shot-by-shot breakdown of Body Memory An interview with Ülo Pikkov on Body Memory The original script, 2nd draft – 2003: Four Minutes in the Warsaw Ghetto A shot-by-shot breakdown of Seven Minutes in the Warsaw Ghetto An interview with Johan Oettinger on Seven Minutes in the Warsaw Ghetto Art and the Holocaust: Positioning Seven Minutes in the Warsaw Ghetto

Short Film Studies issue 5.1: On Kieslowski’s Urzad/The Office Editor’s Introduction A shot-by-shot breakdown of The Chinese Wall A shot-by-shot breakdown of The Office/Urzad An interview with director Sytske Kok on The Chinese Wall An interview with screenwriter Rosan Dieho on The Chinese Wall

Short Film Studies issue 5.2: Editor’s Introduction A shot-by-shot breakdown of The Perfect Human An interview with Jørgen Leth on The Perfect Human A shot-by-shot breakdown of Bean Cake An interview with David Greenspan on Bean Cake

Short Film Studies issue 6.1: A shot-by-shot breakdown of Possum Editor’s introduction An interview with Brad McGann on Possum A shot-by-shot breakdown of On Suffocation Excerpts from the storyboard for On Suffocation An interview with Jenifer Malmqvist on On Suffocation

Short Film Studies issue 6.2: Editor’s Introduction A shot-by-shot breakdown of Cock Fight An interview with Sigalit Liphshitz on Cock Fight A shot-by-shot breakdown of Draft Filming from the heart: An interview with Naomi Levari on Draft

Short Film Studies issue 7.1: A shot-by-shot breakdown of The Beach An interview with Dorthe Scheffmann on The Beach Editor’s Introduction A shot by shot breakdown of The T-Shirt An interview with Hossein Martin Fazeli on The T-Shirt

Short Film Studies issue 7.2: Editor’s Introduction A schematic breakdown of It Can Pass Through the Wall An interview with Radu Jude on It Can Pass Through the Wall A shot-by-shot breakdown of The Jacket An interview with Patrick Vollrath on The Jacket


Keywords:  short film, storytelling, narrative, editing

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