ISSN: 1477965X
First published in 2003
3 issues per volume
Volume 9 Issue 2-3
Cover Date: May 2012
Hearing things: Inside outness and ‘sonic ghosts’
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Authors:  Jane Grant 
DOI: 10.1386/tear.9.2-3.217_1

Keywords
sound-art,neuroscience,memory,The Fragmented Orchestra,neural ghosts,plasticity

Abstract
This article will consider sound as a glue between internal and external experience, a link between sensing and cognition, memory and perception. In looking at research in neuroscience, specifically Eugene Izhikevich’s work with models of spiking neurons, parallels may be drawn with faulty source monitoring where a subject cannot differentiate between external and internal stimuli, and with a collapsing of present into the past. These ideas will be discussed through a number of sonic artworks that have neural plasticity, space and location at their core.
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