ISSN: 20526695
First published in 2015
2 issues per volume
Volume 2 Issue 1
Cover Date: April 2016
Doorknob in the desert: Agnes Martin’s queer becoming
purchase PDF
Authors:  Roger Cook 
DOI: 10.1386/jcp.2.1.21_1

transformational object,same-sexuality,queer becoming,care of self,desubjectivization,desire for the neutral

Alongside recent knowledge of her schizophrenia, Agnes Martin’s lesbianism and its relation to her extraordinary achievement as an artist needs to be better understood. Anterior to activist Monique Wittig’s infamous 1978 public statement that ‘lesbians are not women’ (Wittig 1993: 32), in 1973 Martin (refusing compulsory heterosexuality’s sex and gender dimorphism) humorously protested that she ‘was not a woman but a doorknob’ (Johnston 1998: 300). Ultimately, Martin’s liberation was a liberation through identification with non-human being: a painterly practice of queer becoming that can be thought of as the Foucauldian creation of life as a ‘work of art’ – a desubjectivization of the self or ‘death of the subject’ enacting a Barthesian ‘desire for the neutral’ (Barthes 2005) to become one with the vitality and vibrancy of matter itself.
Your tags: Please login or register if you don't have a user account.
Latest news
17th April 2018
Call for Papers: Philosophy Of Photography
Read more Read more
9th April 2018
International Journal of Fashion Studies in Scopus!
Read more Read more
9th April 2018
The Global Road Movie: Alternative Journeys Around the World Edited by Jose Duarte and Timothy Corrigan
Read more Read more


The Big Picture Magazine