ISSN: 14742756
First published in 2002
2 issues per volume
Volume 5 Issue 3
Cover Date: November 2007
Nationalism and postcolonialism in Indian science fiction: Bollywood's Koi … Mil Gaya (2003)
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Authors:  Dominic Alessio And  Jessica Langer 
DOI: 10.1386/ncin.5.3.217_1

Bollywood, science fiction, modernity, postcolonialism, extreme nationalism, India

Koi … Mil Gaya (2003), a Hindi-language Bollywood musical set in the near future and concerning a scientist who contacts extraterrestrials, is Hindi cinema's first big-budget attempt at science fiction. It is worthy of note for several reasons. The film, which is filled with references to Hindu gods and mythologies, 'aligns itself with, borrows from, and reshapes the traditions of science fiction' (Batty and Markley 2002), using strategies associated with postcolonial cultural production. It also subverts many of the conventions of Hollywood science fiction cinema, using similar aspects of film form for different purposes. However, Koi … Mil Gaya occupies a contested postcolonial space, as its alignment with the recent rise of Hindu nationalism in India creates a kind of colonial order in itself; one which in the end re-inscribes the hierarchical systems of oppression that are associated with colonialism.
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