ISSN: 17597137
Online ISSN: 17597145
First published in 2010
3 Issues per volume
Volume 1 Issue 2
Cover Date: May 2010
Price: £18
Contents
Editorial
Authors:  Jill Nelmes 
Page Start: 221
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Editorial
Authors:  Jule Selbo 
Page Start: 223
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Time, space and movement: screenplay as oral narrative
Authors:  Adam Ganz 
Page Start: 225
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The early screenwriting practice of Ernest Lehman
Authors:  Ted Nannicelli 
Page Start: 237
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Collaboration and control in the development of Janet Green's screenplay Victim
Authors:  Jill Nelmes 
Page Start: 255
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The constructive use of film genre for the screenwriter: mental space of film genre – first exploration
Authors:  Jule Selbo 
Page Start: 273
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The physical and emotional threads of the archetypal hero's journey: proposing common terminology and re-examining the narrative model
Authors:  Craig Batty 
Page Start: 291
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The hero and heroine's journey and the writing of Loy
Authors:  Helen Jacey 
Page Start: 309
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‘First of all, the screenplay problem has to be solved’ – the public debate on screenwriting in 1930s Finland
Authors:  Raija Talvio 
Page Start: 325
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Zen and the art of film narrative: towards a transcendental realism in film
Authors:  Erik Knudsen 
Page Start: 343
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From three acts to three screens: the significance of the role of writing in a new media film project
Authors:  Jeremy Bubb 
Page Start: 357
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Who Writes British Films: A Summary on the UKFC Report and a Call for Further Research
Authors:  Susan Rogers 
Page Start: 375
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Rethinking Screenwriting Conference, Helsinki
Authors:  Steven Price 
Page Start: 385
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Reviews
Authors:  Kathryn Millard And  Dan Papia And  Chris Pallant And  Joan Ormrod 
Page Start: 389
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