ISSN: 20456298
Online ISSN: 20456301
First published in 2012
2 Issues per volume
Volume 5 Issue 1-2
Cover Date: December 2016
Contents
The ‘shifting ground of identification’...
Authors:   
Page Start: 3
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Their satanic majesties’ movies: The Rolling Stones in cinema
Authors:  David E. James 
Page Start: 10
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The interval and the instant: Inscribing death and dying
Authors:  Steven Eastwood 
Page Start: 26
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Much ado about medium: Greenberg, McLuhan, and the formalist problem in early video criticism in New York
Authors:  Liz Kim 
Page Start: 44
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Reading the morphology of Ben Rivers’s chemical landscapes
Authors:  Patrick Tarrant 
Page Start: 58
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1970s British experimental film: Images in shadows and light
Authors:  Patti Gaal-Holmes 
Page Start: 70
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Expanded cinema: Notes on twentieth-century encounters with art, science and technology
Authors:  Chris Welsby 
Page Start: 88
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Deictic transformers: Phenomenological analyses of time-shifts in video art installations
Authors:  Nevena Ivanova 
Page Start: 108
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Projective art and the ‘staging’ of empathic projection
Authors:  Ken Wilder 
Page Start: 124
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A brief history of the dancer/camera relationship
Page Start: 142
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Hiding in plain sight: Recognition and resistance in recent queer artists’ moving image
Authors:  Laura Guy 
Page Start: 158
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Melanie Manchot in conversation with Pratap Rughani: London College of Communication, 10 June 2015
Authors:  Melanie Manchot And  Pratap Rughani 
Page Start: 170
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Jennet Thomas in conversation with Kyran Joughin: 25 January 2016, Nunhead, London
Authors:  Jennet Thomas And  Kyran Joughin 
Page Start: 186
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REWIND researchers Stephen Partridge and Adam Lockhart in conversation with Maeve Connolly: Archiving Irish and British Artists’ Video
Authors:  Stephen Partridge And  Adam Lockhart And  Maeve Connolly 
Page Start: 204
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Karen Mirza and Brad Butler in conversation with Andrew Vallance: ‘We are living in a utopia – it’s just not ours’, no.w.here, 2 June 2015
Authors:  Karen Mirza And  Brad Butler And  Andrew Vallance 
Page Start: 216
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The Inoperative Community, Raven Row, London, 3 December 2015 to 14 February 2016
Authors:  Catherine Elwes 
Page Start: 234
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Pastoral Idyll: Guy Sherwin’s Paper Landscape
Authors:  Dan Hays 
Page Start: 246
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Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures, Laura Mulvey and Anna Backman Rogers (eds) (2015)
Authors:  Maria Walsh 
Page Start: 256
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Video Void, Australian Video Art, Matthew Perkins (ed.) (2014)
Authors:  Steven Ball 
Page Start: 266
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Installation and the Moving Image, Catherine Elwes (2015)
Authors:  Kim Knowles 
Page Start: 276
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‘Electronic Superhighway’, curated by Omar Kholeif
Authors:  Paul O’Kane 
Page Start: 284
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