ISSN: 17549221
Online ISSN: 1754923X
First published in 2009
3 issues per volume
Current Issue:
Volume 10 / Issue 1-2 Free Issue
Volume 6 | Issue 1    Submit article   

Call for Papers

Download the JAC Notes for Contributors

All articles submitted should be original work and must not be under consideration by other publications.

All submissions must adhere to Intellect’s Ethical Guidelines. Intellect is committed to setting and upholding high standards of ethical behaviour and to this end we support the standards and best practices set out by the Committee on Publication Ethics (COPE). All articles are double-blind peer reviewed and are considered and accepted exclusively on their academic merit, without commercial or other influence that may compromise intellectual standards. All authors must declare any potential conflicts of interest, including submissions that are part of a degree requirement. Intellect, its editors and peer reviewers are independent of any degree process requiring submission by graduate students of articles, and cannot be held responsible for such processes, their schedules or their outcomes.

Call for papers: General editions
Proposed publication date: 2019, 2020

The Journal of African Cinemas explores the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film.

The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.

The editors are looking for articles, reviews, and comparative analyses regarding African cinema through its historical and contemporary legacies. The journal wishes to concentrate on the growing African cinematic society, as it interrogates African societies with regard to African filmmakers' conceptualization of space, time and identity. What is/are Africa/s and what is/are African cinema/s, might offer pertinent starting points. Some proposed topics are:

• The film of the everyday and the "every-African": populist films and their language.
• Shifting sites of authoritative discourses from knowledge to meaning.
• African cinema as a cinema of cultural citizenship vis a vis the anthropological, national or global idea of culture.
• The propagation of the verbal culture-based film.
• Professional, pedagogical and theoretical uses of African verbal cultures in the media (TV).
• Cross-platform reflections on visual cultures within competing disciplines of identity study.
• Representations of cities, spaces and places
• Political economies of industries, film industry value chain analysis, and media city networks
• Film education
• Film and book reviews, short commentaries and evaluative festival reports
• In-depth director Interviews Cineaste-style

All submissions should not be more to 8,000 words and should include a 200 word abstract and five keywords. The 8,000 words includes references, graphics and photos equivalent to 250 words each. The document(s) should be sent as Microsoft Word and/ or JPEG attachment(s) respectively.

Call to action: Please submit research papers and reviews to David Nothling, 

Journal contributors will receive a free PDF copy of their final work upon publication. Print copies of the journal may also be purchased by contributors at half price.


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