ISSN: 13180509
Online ISSN: 2050957X
First published in 2013
3 issues per volume
Current Issue:
Volume 33 / Issue 189-190 Free Issue
Volume 29 | Issues 161-162    Submit article   
Call for Papers
Notes for Contributors

We publish only original articles that have not been published before. All articles submitted should be original work and must not be under consideration by other publications.

Direct quotation: Use only double quotation marks (“ “).
Source literature in footnotes: always at the bottom of the page and not at the end of the article and not in the body of the main text into the brackets; use only Arabic numerals (1, 2, 3, 4…):
o Monographs: name and surname, title, city: publisher, year, page.
Example: Augusto Boal, Theatre of the Opressed, London: Pluto Press, 2008, p. 95.
o Chapters in monographs/essays in edited volumes: name and surname, “article/chapter title”, in: name of publication, city: publisher, year, page.
Example: Claire Bishop, “Introduction / Viewers as Producers”, Participation (Documents of Participatory Art), London: Whitechapel Gallery, MIT Press, 2006, p. 10.
o Articles in periodical publications: name and surname, “article title”, name of publication, issue number, year, page.
Example: Josette Féral, “Performans ali teatralnost”, Maska, No. 2/3, Vol III, 1993, pp. 34–38. Web sources: name and surname, “article title”, name of publication, issue number, year, direct www link [last access: day, month, year].
Example: Brian Massumi and Erin Manning, “History through the Middle: Between Macro and Mesopolitics. An interview with Isabelle Stengers”, Inflexions, 3, October 2009. Available at:, accessed on 17 November 2012 at 11:45 pm.

When needed, use also internationally known ibid., *cf., p., pp.

Use the same format if adding your list of source literature at the end of the article.

Changes in quotations:
All your omissions and other interventions into the quoted text should be marked with square brackets [].

…known as “[p]rivileged supplement of our epoch, [that is] interrupting the tracing of the trace to replace it […] with the formation of form”…

Article structure: You may wish to subdivide your text into specific sections using sub-headings. Please use only one level of headings (apart from the main title).

Names and titles: Always use italics; when the work/contribution is considered more a part of a larger context than an independent event (for instance: a single lecture in the context of a conference), use quotation marks for the piece and italics for the name of the series.
o When using an expression with a well established, defined meaning in a certain discourse, use italics (for instance: objet petit a); when applying or making up a new expression primarily for illustrating a certain point, use quotation marks (for instance: the body “reterritorialises”).
o You can use italics also for emphasising/stressing something (for example: Do we speak even more today about collaboration, cooperation, collectivity, because the more artists kept speaking about them in this last decade (since Imschoot first asked the question) the less they ended up working together?).

Performance and book reviews:
The title of the review must be followed by basic information about the reviewed performances and books.
Mise en scène v iskanju svoje sodobne identitete (title)
Patrice Pavis, Sodobna režija. Ljubljana: Knjižnica Mestnega gledališča ljubljanskega, 2012. (subtitle)

All articles must be accompanied by:
1) short biography of the author (2 short sentences or not more than 3 lines of text); example:
Bojana Kunst is a philosopher and theorist of performing arts, dramaturge and Associate Professor at the University of Hamburg.
2) abstract totalling up to 700 characters with spaces (120 words);
3) 6 keywords.



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