ISSN: 20421869
Online ISSN: 20421877
First published in 2010
3 Issues per volume
Volume 3 Issue 2
Cover Date: November 2012
Price: £12
Contents
Editorial
Authors:  Tim Palmer And  Liza Palmer 
Page Start: 2
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Pictures are Worth ... Like ... A Lot More Words, Ya Know?
Authors:  Derek Bockman 
Page Start: 3
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The Depiction and Counteraction of Asian and Asian American Cinematic Stereotypes in Charlotte Sometimes
Authors:  Martin C. Chlapecka 
Page Start: 9
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“Returning the Look”: Spectatorship and Feminist Aesthetics in Jeanne Dielman
Authors:  Brian Huser 
Page Start: 16
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Propaganda Cinema and the Mobilization of the British Home Front in World War II: In Which We Serve and Mrs. Miniver
Authors:  Lewis Adam Lawrence 
Page Start: 21
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War and Poetry: The Use of Genre Violence and Poetic Digression in The Thin Red Line
Authors:  Jacob Mertens 
Page Start: 29
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The Stewardesses: 3D Soft-core that Kills
Authors:  Henry Rownd 
Page Start: 38
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Slavoj Žižek on War and Cinema: The Hurt Locker Between Theory and Post-Theory
Authors:  Jennifer Sider 
Page Start: 42
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Frame Analysis for Vision: From the Life of Hildegard von Bingen
Authors:  Paul Tortolo 
Page Start: 49
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Film Bytes
Authors:  Joel Coats 
Page Start: 51
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“Rainbow Reality, Man”: Color and Reality at the Heart of Darkness in Apocalypse Now and Waltz with Bashir
Authors:  Andrew Magee 
Page Start: 53
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Emasculating American Bourgeoisie Culture: The Graduate and the Critique of Material Prosperity as Happiness
Authors:  Eric Hinrichsen 
Page Start: 57
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The Raw Deal Lighting of John Alton in Hollywood Film Noir
Authors:  William Frasca 
Page Start: 60
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Industrial Change and Historical Revision in The Assassination of Jesse James by the Coward Robert Ford
Authors:  Simon Dickson 
Page Start: 64
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Reviews Books
Authors:  Carrie Reese And  Peter Labuza And  Stephanie West And  Jude Warne 
Page Start: 70
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Reviews Films
Authors:  John Debono And  Tracey Flett 
Page Start: 74
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Reviews DVDs
Authors:  Johnathan Adams And  Melinda Miles 
Page Start: 76
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