Volume 5 Issue 1-2
Cover Date: December 2016
Contents
Their satanic majesties’ movies: The Rolling Stones in cinema
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The interval and the instant: Inscribing death and dying
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Much ado about medium: Greenberg, McLuhan, and the formalist problem in early video criticism in New York
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Reading the morphology of Ben Rivers’s chemical landscapes
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1970s British experimental film: Images in shadows and light
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Expanded cinema: Notes on twentieth-century encounters with art, science and technology
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Deictic transformers: Phenomenological analyses of time-shifts in video art installations
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Projective art and the ‘staging’ of empathic projection
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Hiding in plain sight: Recognition and resistance in recent queer artists’ moving image
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Melanie Manchot in conversation with Pratap Rughani: London College of Communication, 10 June 2015
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Jennet Thomas in conversation with Kyran Joughin: 25 January 2016, Nunhead, London
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REWIND researchers Stephen Partridge and Adam Lockhart in conversation with Maeve Connolly: Archiving Irish and British Artists’ Video
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Karen Mirza and Brad Butler in conversation with Andrew Vallance: ‘We are living in a utopia – it’s just not ours’, no.w.here, 2 June 2015
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The Inoperative Community, Raven Row, London, 3 December 2015 to 14 February 2016
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Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures, Laura Mulvey and Anna Backman Rogers (eds) (2015)
Page Start: 256 View Header/Abstract Purchase PDF
Video Void, Australian Video Art, Matthew Perkins (ed.) (2014)
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Installation and the Moving Image, Catherine Elwes (2015)
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‘Electronic Superhighway’, curated by Omar Kholeif
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