Intellect is delighted to announce the release of Film, Fashion & Consumption 5.2.
Articles in this issue include (partial list):
Authors: Niall Richardson
Page Start: 165
This article analyses how Sex and the City: The Movie 2 (King, 2010) represents a binary between style that is coded as ‘vintage’ and, therefore, desirable, and style that is depicted as ‘dated’ and identified as bad taste. Although this has been a dominant motif in both the Sex and the City series and first film (King, 2008), Sex and the City: The Movie 2 maps this distinction onto a West/Middle East binary. While everything Western (or, more precisely, everything NYC) is represented as stylish, the Middle East (and here it is Abu Dhabi that stands in for the Middle East) is depicted as dated and, the film suggests, trapped in the decade of the 1980s. Sex and the City: The Movie 2 develops many of the prejudices found in contemporary Western representations of the Middle East but articulates these through the motifs of fashion, consumerism and female sexuality. The article proposes that what is most offensive about Sex and the City: The Movie 2 is that it conflates all the social, cultural, political and, most importantly, religious differences that exist between secular New York and Muslim Abu Dhabi and reduces all of these issues to a simple question of style and knowing consumerism.
Authors: Elizabteth Castaldo Lundén
Page Start: 185
Roger Vadim’s Barbarella (1968) looms large in popular culture. Disguised under its sartorial splendour, the film’s narrative clearly negotiates social anxieties of the late 1960s. Similarly, the production design of the film incorporates contemporary elements from art, architecture and fashion. Arguably, these elements of style have played a key role in catapulting the film to its cult status. Franco-Spanish designer Paco Rabanne is frequently, albeit erroneously, credited for the creation of Jane Fonda’s on-screen parade of highly stylized costumes in the film. In fact, the man responsible for creating fashion in the diegetic year 40,000 was French costume designer Jacques Fonteray. Rabanne’s involvement in the film was limited to the creation of one costume. Based on archival research conducted in France and the United States of America, this article explores the role of Jacques Fonteray in the creation of the film’s costumes while simultaneously debunking the popular misconception regarding Paco Rabanne’s influence on the film’s overall aesthetics.
Intellect is delighted to announce that Studies in Musical Theatre 10.2 is now available.
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Articles in this issue touch on several different examples of numerous instances of popular culture and musical theatre colliding. Another theme that serendipitously emerges from the articles in this issue is the spectre of class, something that seems to haunt all of the discussions. In all the articles there is an underlying sense that critical perceptions of genre-class positions are not as clear-cut or indisputable as they may seem.
Articles in this issue include (partial list):
Authors: Julianne Lindberg
Page Start: 177
William Saroyan’s The Time of Your Life (1939) is typically discussed alongside the works of great American playwrights. Music and dance, however, are major symbolic and structuring devices in the narrative of the play. Two characters in the play purposely embody music and dance: the pianist Wesley (a ‘colored boy’ who plays a ‘mean and melancholy boogie-woogie piano’), played by Reginald Beane, and Harry (a ‘natural born hoofer’), played by the then-stage novice Gene Kelly. Though no records remain of Kelly’s original choreography, he often spoke of the importance of music to his conception of the character Harry. Lindberg suggests that Kelly/Saroyan’s Harry is a product of the mainstream acceptance of working-class masculinities, an outgrowth of the progressive politics of the 1930s. Kelly’s relationship to the music of marginalized identities, Lindberg argues, informed the development of his iconic ‘average Joe’ persona.
Authors: Zachary A. Dorsey
Page Start: 195
Grammatically speaking, many, many key songs and moments in musical theatre rely on the subjunctive, a grammatical mood that is used variously to express openness, hopefulness, wishfulness and possibility, as well as doubts, opinions, judgements and fears. Tevye’s ‘If I Were a Rich Man’ from Fiddler on the Roof is such a prime example of the subjunctive that it is often invoked in grammar guides and textbooks that seek to teach the proper use of this mood. This article explores the phenomenon that Dorsey describes as ‘subjunctive dramaturgy’ – the way that the spirit of the subjunctive mood underpins and crackles through the musical genre. Dorsey argues that particularly when amplified by speech, song and dance, the subjunctive mood helps to join character, actor and audience in a shared affective experience.
Intellect is delighted to announce the new issue of the International Journal of Islamic Architecture 6.1 is now available.
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Articles within this issue include (partial list):
Authors: Hasan-Uddin Khan
Page Start: 5
This issue begins with an editorial by Hasan-Uddin Khan, departing from the norm, and adopting a more personal approach to the history and evolution of periodicals that inform, critically evaluate and discuss issues related to architectural cultures of the global(ising) Muslim world. Given enormous shifts in the past decade, it is perhaps a timely moment to reflect and comment on the field as a whole. This editorial thus represents an effort to look back on the history of various publications, and builds on Khan’s long engagement with significant examples since the early 1980s.
Authors: Daniel E. Coslett
Page Start: 59
Arguably Tunis’s premier public space, the iconic Avenue Bourguiba is today the product of over 150 years of manipulation, regulation and interpretation. Its development can be seen as an early example of thematic place branding, thereby complicating the notion that the widespread phenomenon is an exclusively postmodern and western one. In identifying three potential place-brand labels, this article considers the establishment of the ‘Parisian Colonial’ Avenue by French colonial authorities, its ‘Tunisian Modern’ modification at independence, and its more recent historicist ‘Parisian Global’ refurbishment within the contexts of colonialism, authoritarian governance and globalisation.
Intellect is delighted to announce the new issue of Studies in Comics 7.1 is now available. This issue highlights the role of Studies in Comics as a venue for top-notch comics scholarship written and reviewed by scholars from all over the world. Contributors to issue 7.1 are currently working and studying in the United Kingdom, Denmark, Japan, the Commonwealth of the Bahamas, New Zealand, and several different major regions of the United States. The subjects of their contributions are equally diverse, addressing texts, formats, and techniques that have rarely or never seen discussed before.
To gain access to this issue, please click here.
Intellect is thrilled to announce that the special issue of Asian Cinema 27. 2 is now available. This special issue focuses on Iranian cinema, with a collection of essays investigating more deeply the representation of eroticism in Iranian film: the creative strategies involved in both its extra-diegetic form and its internal logic.
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List of articles (partial list):
Authors: Amir Ganjavie
Page Start: 113
When faced with strict censorship and social and moral barriers, what methods have Iranian directors developed in order to address love, desire and passion? In what ways do these methods emancipate or emasculate Iranian artists in their quest to express love and eroticism? This article attempts to answer these questions, arguing that it makes little sense to say that any authoritative system with a system of hegemony could prevent its citizens from expressing this impulse in their works since the sexual instinct is life’s drive and only at the moment of death can humans deny its existence. What is essential, radical and utopian is to read the meaning of eroticism in Iranian cinema through the specific culture in which the drive has been developed and shaped.
Authors: Blake Atwood
Page start: 127
The 1970s witnessed an explosion of sex in Iranian cinema, and the representation of bodies and desires became more explicit than ever. The rise of on-screen sex flew in the face of successive guidelines released by the Ministry of Cultural Affairs (MCA) in 1966 and 1972, which sought to limit the production and exhibition of films that featured sexual relations. This article explores this paradox and begins to trace the contours of a history of cinematic sex in mid-century Iran by examining film industry advertising schemes, especially film posters, alongside three sex-driven films: Mansur Purmand’s Shir tu shir (Chaos) (1972), Feraidun Goleh’s Zir-e pust-e shab (Under the Skin of the Night) (1974), and Parviz Sayyad’s Dar emtedād-e shab (Into the Night) (1978).
Intellect is delighted to announce that the new issue of the Journal of Urban Cultural Studies 3.3 is now available.
List of articles (partial list):
Authors: Karen Wall
Page Start: 301
This article examines material and intangible traces of Aboriginal history and cultural presence in a theoretical context concerned with public spaces promoting transformative, dialogic, cross-cultural encounters. Case studies consider urban spaces as gathering places in terms of their relevance to indigenous practices of metissage. What is at stake for settler colonial cities in the recognition and inclusion of indigenous presence and historical relationships? Aboriginal cultures can and must play a critical role in the development of a mature civic identity rooted in a complex mutual history, with implications for urban social and ecological sustainability in the future.
Authors: Enric Bou
Page Start: 347
This article proposes an analysis of Barcelona’s metro system following David Pike’s threshold concept, key to the topography of the ‘vertical city’. This will be done through reading maps and literary texts that illustrate three closely related issues: an interpretation of Barcelona’s metro network and its meanings; the disappearance of some metro stations and underground spaces, such as hidden connecting corridors, which create a shallow presence of the past into the present, examples of urban spaces that are buried and forgotten; and subway life as portrayed in some literary texts with particular emphasis on the use of mythology.
ISCC Call for Papers Special Issue 9.1: Reggae Studies in a Global Context
Submission deadline: 10 March 2017
Guest Editors: Carolyn Cooper and Leonardo Vidigal (Universidade Federal de Minas Gerais – UFMG, Brazil)
A substantial body of academic literature on reggae is now established globally, with many scholars studying this phenomenon with a transcultural approach and covering a wide range of inter/disciplines. This special issue of Interactions invites original articles on Reggae Music, from its emergence and development in Jamaica to the transformations the music has undergone in its global dispersal.
ISCC is especially interested, but not limited to, the following themes:
- History of Reggae
- Reggae as culture
- Reggae Music and Media
- Musical and sociological analysis of Reggae Music
- Reggae’s influence on Global Popular Music
- Global manifestations of Reggae Music
- The Bob Marley phenomenon
- Sound-Systems and other Reggae Music collectives
- Reggae Films and videos
- Reggae Music in the context of creative industries
Prospective authors should submit an abstract between 200 and 350 words to firstname.lastname@example.org and email@example.com by 10 March 2017.
Please include your name, institutional affiliation and contact details in all correspondence.
A selection of authors will be invited to submit a full paper (from 6000 to 8000 words, including references) due on 15 June 2017.
Full paper submissions are to be:
- Original, scholarly manuscripts that follow the journal’s submission guidelines
- Formatted according to Intellect House Style guidelines
- Sent in Microsoft Word .doc/.docx format ONLY as e-mail attachments to firstname.lastname@example.org and email@example.com
All submissions will be peer-reviewed and the issue is scheduled for publication in March 2018.
All inquiries about this Call for Papers can be addressed to Prof. Carolyn Cooper at firstname.lastname@example.org or Dr. Leonardo Vidigal at email@example.com
Intellect is pleased to announce that Studies in Costume & Performance 1.2 is now available.
List of articles (partial list):
Authors: Viveka Kjellmer
Page Start: 151
Swedish artist Tobias Bernstrup (b. 1970) works with multimedia, music, performance, video and computer games. He creates fictional alter egos in his works and returns to his characters in an ongoing re-meditation, digitally or in real-world artistic performances. The costume is a paradoxical entity: both an inseparable part of the artist’s body in the performance process and something that can be removed, yet remains part of the character. The nude body onstage can be seen as another costume, the bare skin serving as an interface between visual and physical experience. Bernstrup and his virtual alter egos slip between existences where skin, body and costume tie his virtual and physical realities together.
Authors: Abigail Gardner and Katerina Flint-Nicol
Page Start: 163
Referencing literary and cinematic readings of the term, this article argues that Harvey performs an English, Victorian Gothic. The authors argue that she recuperates the female Gothic for contemporary times allowing it resonance beyond its literary and cinematic beginnings. Drawing on some of those literary and cinematic debates on the Gothic and the eerie, they consider how her costumes across the three albums White Chalk (2007), Let England Shake (2011) and The Hope Six Demolition (2016) showcase ‘remnants’ both of the past and, of the forgotten.
Authors: Sodja Zupanc Lotker
Page Start: 179
This visual essay illustrates some of the curator’s basic ideas behind the project at the Prague Quadrennial of Performance Design and Space 2015. This project presented over 80 costume and mask projects over the course of 11 days in June 2015. Costumes were ‘exhibited’ on live performers in the centre of Prague, where the city performed the gallery of this exhibition. The Tribes was conceived mainly through an open call that invited professionals and students to propose their ‘tribes’. The tribe was to be defined as a minimum of three people, having the same or similar ‘dress code’ (costume, or fully body mask) and similar behaviour code.
The new issue of the Journal of Illustration 3.2 is now available.
List of articles (partial list):
Authors: Matthew Collins
Page Start: 173
In this article, illustrations of Dante’s Commedia are viewed from the particular angle of textual subversion, which increased in degree overtime. It begins with a consideration of Dante’s own subversive habits in the context of the medieval literary world in order to highlight the fact that illustrators who visually undermined the letter of the text were in ironic harmony with the spirit of this work. The article then moves on to show that by Dante’s renaissance in the eighteenth and nineteenth centuries illustrators felt far freer to blatantly meld their own imaginations with that of the original author, and by the mid-twentieth century, certain Commedia illustrations subjected text to image in varying ways.
Authors: Louis Netter
Page Start: 207
Reportage drawing is a revelatory act that combines the challenges of quick, gestural drawing with a level of accuracy in the depiction of people and places. Add to that the complications of working in sometimes hostile or, at the very least, less than ideal environments and you have a highly unique drawing act. Through interviews conducted with reportage artists Jill Gibbon, Gary Embury as well as the authors own work and reflections, the article compares and contrasts the aims and intentions of the artists, and tensions between the journalistic and social commentary aims will be explored through individual practice.
Intellect is delighted to announce that the new issue of Critical Studies in Fashion & Beauty 7.2 is now available.
If you have any questions about the journal click here or email firstname.lastname@example.org
List of articles (partial list):
Authors: Elizabeth Wissinger
Page Start: 141
This article examines the Kardashian phenomenon, as it unfurls in a changing labour market, where glamour is becoming a common aspiration, no longer the domain of a privileged few. Wissinger argues that practices of no-holds-barred sharing and giving up privacy online are normalized, and presented as the ticket to achieving glamour, visibility and social acceptance.
Authors: Giuliana Monteverde
Page Start: 153
This article explores complicity by way of beauty, post-feminist neo-liberalism and the Kardashian-Jenner family. Monteverde asserts that dismissals of the family as vulgar stem from sexist and femmephobic interpretations of their hypersexual, hyperfeminine gender performances, and the genre they are most famous for: reality television. The Kardashian-Jenners should be approached from a feminist perspective, with appropriate nuance and reflexivity. Acknowledgement of complicity provides the space to do this.